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Everything’s wrappable to a sphere

One of the better opening quotes of a paper:

“Even quite ungainly objects, like chairs and tables, will become almost spherical if you wrap them in enough newspaper.”

The paper in question is The orbifold notation for surface groups by John Conway.

Here’s Conway talking leisurely about Thurston’s idea to capture the acting group via the topology of the orbifold space and his own notation for such orbifolds.



Here’s another version of the paper, with illustrations: The orbifold notation for two-dimensional groups, by Conway and Daniel H. Huson.

A very accessible account are these lecture notes:

A field guide to the orbifolds, notes from class on “Geometry and the Imagination” in Minneapolis, with John Conway, Peter Doyle, Jane Gilman and Bill Thurston, on June 17–28, 1991.

And, here are notes by Thurston on The Geometry and Topology of Three-Manifolds, including stuff about orbifolds.

I came across these papers struggling my way through On the discrete groups of moonshine by Conway, McKay and Sebbar.

On the genus $0$ property of moonshine groups they have this to say:

“As for groups of the form $(n|h)+e,f,\dots$, the genus can be determined from the fundamental regions using the Riemann-Hurwitz formula. Since most of the groups are not subgroups of the modular group, the calculations of the genus, which cannot be produced here because of their length, are carried out by finding the elliptic fixed points and the cone points in the orbifolds attached to the fundamental regions. The Euler characteristic of the orbifold determines the genus of the group. See [paper] for more details on orbifold techniques.”

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Chomp and the moonshine thread

Chomp is a 2-player game, usually played with chocolate bars.

The players take turns in choosing one chocolate block and “eat it”, together with all other blocks that are below it and to its right. There is a catch: the top left block contains poison, so the first player forced to eat it dies, that is, looses the game.

If you start with a rectangular bar, the first player has a winning strategy, though it may take you too long to actually find the correct first move. See this post for the strategy-stealing argument.

If you label the blocks of the rectangular bar by $(a,b)$ with $0 \leq a \leq k$ and $0 \leq b \leq l$, with the poisonous one being $(0,0)$, then this can be viewed as choosing a divisor $d$ of $N=p^k q^l$ and removing all multiples of $d$ from the set of divisors of $N$. The first person forced to name $1$ looses.

This allows for higher dimensional versions of Chomp.

If you start with the set of all divisors of a given natural number $N$, then the strategy-stealing argument shows that the first player has a winning move.

A general position of the game corresponds to a finite set of integers, closed under taking divisors. At each move the player has to choose an element of this set and remove it as well as all its multiples.

The thread of $(N|1)$, relevant in understanding a moonshine group of the form $(n|m)+e,f,\dots$ with $N=n \times h$, consists of all divisors of $N$.

But then, the union of all threads for all 171 moonshine groups is a position in higher dimensional Chomp.

Who wins starting from this moonshine thread?

Perhaps not terribly important, but it forces one to imagine the subgraph of the monstrous moonshine picture on the $97$ number-lattices way better than by its Hasse diagram.

Click on the image for a larger version.

By the way, notice the (slight) resemblance with the ‘monstrous moonshine painting’ by Atria

Here’s how the Hasse diagram of the moonshine thread was produced. These are ‘notes to self’, because I tend to forget such things quickly.

1. Work though the list of 171 moonshine groups in Monstrous Moonshine, pages 327-329. Add to a list all divisors of $N$ for a group of type $N+e,f,\dots$ or $n|h+e,f,\dots$ with $N=n \times h$. This should give you these $97$ integers:

1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,
31,32,33,34,35,36,38,39,40,41,42,44,45,46,47,48,50,51,52,54,55,56,57,59,60,62,
63,64,66,68,69,70,71,72,78,80,84,87,88,90,92,93,94,95,96,104,105,110,112,117,
119,120,126,136,144,160,168,171,176,180,208,224,252,279,288,360,416

2. Let $L$ be this list and use Sage:

P=Poset((L,attrcall("divides")),linear_extension=True)
H=P.hasse_diagram()
H.graphviz_string()

3. Copy the output to a file, say chomp.dot, and remove all new-line breaks from it.

4. Install Graphviz on Mac OS X.

5. In Terminal, type
dot -Tpng chomp.dot -o chomp.png

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the monstrous moonshine picture – 1

We’re slowly closing in on the elusive moonshine picture, which is the subgraph of Conway’s Big Picture needed to describe all 171 moonshine groups.

About nine years ago I had a first go at it, drawing a tiny fraction of it, just enough to understand the 9 moonshine groups appearing in Duncan’s realization of McKay’s E(8)-observation.

Over the last weeks I’ve made enough doodles to feel confident that the full picture is within reach and is less unwieldy than I once feared it might be.

The moonshine picture only involves about 212 lattices and there are about 97 snakes crawling into it, the dimension of the largest cell being 3.

I write ‘about’ on purpose as I may have forgotten a few, or counted some twice as is likely to happen in all projects involving a few hundreds of things. I’ll come back to it later.

For now, I can only show you the monstrous moonshine painting, which is a work by the Chilean artist Magdalena Atria.

Here’s a close up:

It is a large scale painting made with plasticine, directly attached to the wall of the Alejandra Von Hartz gallery where it was exhibited in 2010.

What does it have to do with monstrous moonshine?

From the press release:

“In mathematics ‘monstrous moonshine’ is a term devised by John H. Conway and Simon P. Norton in 1979, used to describe the (then totally unexpected) connection between the monster group M and modular functions.

The term ‘monstrous moonshine’ was picked to convey the feelings from the bizarre relations between seemingly unrelated structures. The same spirit of connecting apparently unrelated situations, at times revealing deeper links and at times constructing them, permeates through Atria’s work in this exhibition.”

I was impressed by the first sentence until I read the Wikipedia article on monstrous moonshine which starts off with:

“In mathematics, monstrous moonshine, or moonshine theory, is the unexpected connection between the monster group M and modular functions, in particular, the j function. The term was coined by John Conway and Simon P. Norton in 1979.”

It appears that curators of art-exhibitions, and the intended public of their writings, are familiar with modular forms and functions, but fail to grasp the $j$-function.

When they speak about ‘modular forms’, I fear they’re thinking of something entirely different.

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Smullyan and the President’s sanity

Smullyan found himself in a very strange country indeed!

All the inhabitants of this country are completely truthful – they always tell you honestly what they believe, but the trouble is that about half of the population are totally mad, and all their beliefs are wrong!

The other half are totally sane and accurate in their judgments, all their beliefs are correct.

Smullyan felt honoured to be invited by the Presidential couple.

The President was the only one who said anything, and what he said was:

“My wife once said that I believe that she believes I am mad.”

What can be deduced about the President’s sanity, and that of his wife?

Reference: This is a minor adaptation of Problem 4.5 in Raymond Smullyan‘s book Logical Labyrinths.

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A tetrahedral snake

A tetrahedral snake, sometimes called a Steinhaus snake, is a collection of tetrahedra, linked face to face.

Steinhaus showed in 1956 that the last tetrahedron in the snake can never be a translation of the first one. This is a consequence of the fact that the group generated by the four reflexions in the faces of a tetrahedron form the free product $C_2 \ast C_2 \ast C_2 \ast C_2$.

For a proof of this, see Stan Wagon’s book The Banach-Tarski paradox, starting at page 68.

The tetrahedral snake we will look at here is a snake in the Big Picture which we need to determine the moonshine group $(3|3)$ corresponding to conjugacy class 3C of the Monster.

The thread $(3|3)$ is the spine of the $(9|1)$-snake which involves the following lattices
\[
\xymatrix{& & 1 \frac{1}{3} \ar@[red]@{-}[dd] & & \\
& & & & \\
1 \ar@[red]@{-}[rr] & & 3 \ar@[red]@{-}[rr] \ar@[red]@{-}[dd] & & 1 \frac{2}{3} \\
& & & & \\
& & 9 & &} \]
It is best to look at the four extremal lattices as the vertices of a tetrahedron with the lattice $3$ corresponding to its point of gravity.

The congruence subgroup $\Gamma_0(9)$ fixes each of these lattices, and the arithmetic group $\Gamma_0(3|3)$ is the conjugate of $\Gamma_0(1)$
\[
\Gamma_0(3|3) = \{ \begin{bmatrix} \frac{1}{3} & 0 \\ 0 & 1 \end{bmatrix}.\begin{bmatrix} a & b \\ c & d \end{bmatrix}.\begin{bmatrix} 3 & 0 \\ 0 & 1 \end{bmatrix} = \begin{bmatrix} a & \frac{b}{3} \\ 3c & 1 \end{bmatrix}~|~ad-bc=1 \} \]
We know that $\Gamma_0(3|3)$ normalizes the subgroup $\Gamma_0(9)$ and we need to find the moonshine group $(3|3)$ which should have index $3$ in $\Gamma_0(3|3)$ and contain $\Gamma_0(9)$.

So, it is natural to consider the finite group $A=\Gamma_0(3|3)/\Gamma_9(0)$ which is generated by the co-sets of
\[
x = \begin{bmatrix} 1 & \frac{1}{3} \\ 0 & 1 \end{bmatrix} \qquad \text{and} \qquad y = \begin{bmatrix} 1 & 0 \\ 3 & 0 \end{bmatrix} \]
To determine this group we look at the action of it on the lattices in the $(9|1)$-snake. It will fix the central lattice $3$ but will move the other lattices.

Recall that it is best to associate to the lattice $M.\frac{g}{h}$ the matrix
\[
\alpha_{M,\frac{g}{h}} = \begin{bmatrix} M & \frac{g}{h} \\ 0 & 1 \end{bmatrix} \]
and then the action is given by right-multiplication.

\[
\begin{bmatrix} 1 & 0 \\ 0 & 1 \end{bmatrix}.x = \begin{bmatrix} 1 & \frac{1}{3} \\ 0 & 1 \end{bmatrix}, \quad \begin{bmatrix} 1 & \frac{1}{3} \\ 0 & 1 \end{bmatrix}.x = \begin{bmatrix} 1 & \frac{2}{3} \\ 0 & 1 \end{bmatrix}, \quad \begin{bmatrix} 1 & \frac{2}{3} \\ 0 & 1 \end{bmatrix}.x=\begin{bmatrix} 1 & 0 \\ 0 & 1 \end{bmatrix} \]
That is, $x$ corresponds to a $3$-cycle $1 \rightarrow 1 \frac{1}{3} \rightarrow 1 \frac{2}{3} \rightarrow 1$ and fixes the lattice $9$ (so is rotation around the axis through the vertex $9$).

To compute the action of $y$ it is best to use an alternative description of the lattice, replacing the roles of the base-vectors $\vec{e}_1$ and $\vec{e}_2$. These latices are projectively equivalent
\[
\mathbb{Z} (M \vec{e}_1 + \frac{g}{h} \vec{e}_2) \oplus \mathbb{Z} \vec{e}_2 \quad \text{and} \quad \mathbb{Z} \vec{e}_1 \oplus \mathbb{Z} (\frac{g’}{h} \vec{e}_1 + \frac{1}{h^2M} \vec{e}_2) \]
where $g.g’ \equiv~1~(mod~h)$. So, we have equivalent descriptions of the lattices
\[
M,\frac{g}{h} = (\frac{g’}{h},\frac{1}{h^2M}) \quad \text{and} \quad M,0 = (0,\frac{1}{M}) \]
and we associate to the lattice in the second normal form the matrix
\[
\beta_{M,\frac{g}{h}} = \begin{bmatrix} 1 & 0 \\ \frac{g’}{h} & \frac{1}{h^2M} \end{bmatrix} \]
and then the action is again given by right-multiplication.

In the tetrahedral example we have
\[
1 = (0,\frac{1}{3}), \quad 1\frac{1}{3}=(\frac{1}{3},\frac{1}{9}), \quad 1\frac {2}{3}=(\frac{2}{3},\frac{1}{9}), \quad 9 = (0,\frac{1}{9}) \]
and
\[
\begin{bmatrix} 1 & 0 \\ \frac{1}{3} & \frac{1}{9} \end{bmatrix}.y = \begin{bmatrix} 1 & 0 \\ \frac{2}{3} & \frac{1}{9} \end{bmatrix},\quad
\begin{bmatrix} 1 & 0 \\ \frac{2}{3} & \frac{1}{9} \end{bmatrix}. y = \begin{bmatrix} 1 & 0 \\ 0 & \frac{1}{9} \end{bmatrix}, \quad
\begin{bmatrix} 1 & 0 \\ 0 & \frac{1}{9} \end{bmatrix}. y = \begin{bmatrix} 1 & 0 \\ \frac{1}{3} & \frac{1}{9} \end{bmatrix} \]
That is, $y$ corresponds to the $3$-cycle $9 \rightarrow 1 \frac{1}{3} \rightarrow 1 \frac{2}{3} \rightarrow 9$ and fixes the lattice $1$ so is a rotation around the axis through $1$.

Clearly, these two rotations generate the full rotation-symmetry group of the tetrahedron
\[
\Gamma_0(3|3)/\Gamma_0(9) \simeq A_4 \]
which has a unique subgroup of index $3$ generated by the reflexions (rotations with angle $180^o$ around axis through midpoints of edges), generated by $x.y$ and $y.x$.

The moonshine group $(3|3)$ is therefore the subgroup generated by
\[
(3|3) = \langle \Gamma_0(9),\begin{bmatrix} 2 & \frac{1}{3} \\ 3 & 1 \end{bmatrix},\begin{bmatrix} 1 & \frac{1}{3} \\ 3 & 2 \end{bmatrix} \rangle \]

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the 171 moonshine groups

Monstrous moonshine associates to every element of order $n$ of the monster group $\mathbb{M}$ an arithmetic group of the form
\[
(n|h)+e,f,\dots \]
where $h$ is a divisor of $24$ and of $n$ and where $e,f,\dots$ are divisors of $\frac{n}{h}$ coprime with its quotient.

In snakes, spines, and all that we’ve constructed the arithmetic group
\[
\Gamma_0(n|h)+e,f,\dots \]
which normalizes $\Gamma_0(N)$ for $N=h.n$. If $h=1$ then this group is the moonshine group $(n|h)+e,f,\dots$, but for $h > 1$ the moonshine group is a specific subgroup of index $h$ in $\Gamma_0(n|h)+e,f,\dots$.

I’m sure one can describe this subgroup explicitly in each case by analysing the action of the finite group $(\Gamma_0(n|h)+e,f,\dots)/\Gamma_0(N)$ on the $(N|1)$-snake. Some examples were worked out by John Duncan in his paper Arithmetic groups and the affine E8 Dynkin diagram.

But at the moment I don’t understand the general construction given by Conway, McKay and Sebbar in On the discrete groups of moonshine. I’m stuck at the last sentence of (2) in section 3. Nothing a copy of Charles Ferenbaugh Ph. D. thesis cannot fix.

The correspondence between the conjugacy classes of the Monster and these arithmetic groups takes up 3 pages in Conway & Norton’s Monstrous Moonshine. Here’s the beginning of it.

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Snakes, spines, threads and all that

Conway introduced his Big Picture to make it easier to understand and name the groups appearing in Monstrous Moonshine.

For $M \in \mathbb{Q}_+$ and $0 \leq \frac{g}{h} < 1$, $M,\frac{g}{h}$ denotes (the projective equivalence class of) the lattice \[ \mathbb{Z} (M \vec{e}_1 + \frac{g}{h} \vec{e}_2) \oplus \mathbb{Z} \vec{e}_2 \] which we also like to represent by the $2 \times 2$ matrix \[ \alpha_{M,\frac{g}{h}} = \begin{bmatrix} M & \frac{g}{h} \\ 0 & 1 \end{bmatrix} \] A subgroup $G$ of $GL_2(\mathbb{Q})$ is said to fix $M,\frac{g}{h}$ if
\[
\alpha_{M,\frac{g}{h}}.G.\alpha_{M,\frac{g}{h}}^{-1} \subset SL_2(\mathbb{Z}) \]
The full group of all elements fixing $M,\frac{g}{h}$ is the conjugate
\[
\alpha_{M,\frac{g}{h}}^{-1}.SL_2(\mathbb{Z}).\alpha_{M,\frac{g}{h}} \]
For a number lattice $N=N,0$ the elements of this group are all of the form
\[
\begin{bmatrix} a & \frac{b}{N} \\ cN & d \end{bmatrix} \qquad \text{with} \qquad \begin{bmatrix} a & b \\ c & d \end{bmatrix} \in SL_2(\mathbb{Z}) \]
and the intersection with $SL_2(\mathbb{Z})$ (which is the group of all elements fixing the lattice $1=1,0$) is the congruence subgroup
\[
\Gamma_0(N) = \{ \begin{bmatrix} a & b \\ cN & d \end{bmatrix}~|~ad-Nbc = 1 \} \]
Conway argues that this is the real way to think of $\Gamma_0(N)$, as the joint stabilizer of the two lattices $N$ and $1$!

The defining definition of 24 tells us that $\Gamma_0(N)$ fixes more lattices. In fact, it fixes exactly the latices $M \frac{g}{h}$ such that
\[
1~|~M~|~\frac{N}{h^2} \quad \text{with} \quad h^2~|~N \quad \text{and} \quad h~|~24 \]
Conway calls the sub-graph of the Big Picture on these lattices the snake of $(N|1)$.

Here’s the $(60|1)$-snake (note that $60=2^2.3.5$ so $h=1$ or $h=2$ and edges corresponding to the prime $2$ are coloured red, those for $3$ green and for $5$ blue).

\[
\xymatrix{& & & 15 \frac{1}{2} \ar@[red]@{-}[dd] & & \\
& & 5 \frac{1}{2} \ar@[red]@{-}[dd] & & & \\
& 15 \ar@[red]@{-}[rr] \ar@[blue]@{-}[dd] & & 30 \ar@[red]@{-}[rr] \ar@[blue]@{-}[dd] & & 60 \ar@[blue]@{-}[dd] \\
5 \ar@[green]@{-}[ru] \ar@[blue]@{-}[dd] \ar@[red]@{-}[rr] & & 10 \ar@[green]@{-}[ru] \ar@[red]@{-}[rr] \ar@[blue]@{-}[dd] & & 20 \ar@[green]@{-}[ru] \ar@[blue]@{-}[dd] & \\
& 3 \ar@[red]@{-}[rr] & & 6 \ar@[red]@{-}[rr] \ar@[red]@{-}[dd] & & 12 \\
1 \ar@[green]@{-}[ru] \ar@[red]@{-}[rr] & & 2 \ar@[green]@{-}[ru] \ar@[red]@{-}[rr] \ar@[red]@{-}[dd] & & 4 \ar@[green]@{-}[ru] & \\
& & & 3\frac{1}{2} & & \\
& & 1 \frac{1}{2} & & &} \]

The sub-graph of lattices fixed by $\Gamma_0(N)$ for $h=1$, that is all number-lattices $M=M,0$ for $M$ a divisor of $N$ is called the thread of $(N|1)$. Here’s the $(60|1)$-thread

\[
\xymatrix{
& 15 \ar@[red]@{-}[rr] \ar@[blue]@{-}[dd] & & 30 \ar@[red]@{-}[rr] \ar@[blue]@{-}[dd] & & 60 \ar@[blue]@{-}[dd] \\
5 \ar@[green]@{-}[ru] \ar@[blue]@{-}[dd] \ar@[red]@{-}[rr] & & 10 \ar@[green]@{-}[ru] \ar@[red]@{-}[rr] \ar@[blue]@{-}[dd] & & 20 \ar@[green]@{-}[ru] \ar@[blue]@{-}[dd] & \\
& 3 \ar@[red]@{-}[rr] & & 6 \ar@[red]@{-}[rr] & & 12 \\
1 \ar@[green]@{-}[ru] \ar@[red]@{-}[rr] & & 2 \ar@[green]@{-}[ru] \ar@[red]@{-}[rr] & & 4 \ar@[green]@{-}[ru] &
} \]

If $N$ factors as $N = p_1^{e_1} p_2^{e_2} \dots p_k^{e_k}$ then the $(N|1)$-thread is the product of the $(p_i^{e_i}|1)$-threads and has a symmetry group of order $2^k$.

It is generated by $k$ involutions, each one the reflexion in one $(p_i^{e_i}|1)$-thread and the identity on the other $(p_j^{e_j}|1)$-threads.
In the $(60|1)$-thread these are the reflexions in the three mirrors of the figure.

So, there is one involution for every divisor $e$ of $N$ such that $(e,\frac{N}{e})=1$. For such an $e$ there are matrices, with $a,b,c,d \in \mathbb{Z}$, of the form
\[
W_e = \begin{bmatrix} ae & b \\ cN & de \end{bmatrix} \quad \text{with} \quad ade^2-bcN=e \]
Think of Bezout and use that $(e,\frac{N}{e})=1$.

Such $W_e$ normalizes $\Gamma_0(N)$, that is, for any $A \in \Gamma_0(N)$ we have that $W_e.A.W_e^{-1} \in \Gamma_0(N)$. Also, the determinant of $W_e^e$ is equal to $e^2$ so we can write $W_e^2 = e A$ for some $A \in \Gamma_0(N)$.

That is, the transformation $W_e$ (left-multiplication) sends any lattice in the thread or snake of $(N|1)$ to another such lattice (up to projective equivalence) and if we apply $W_e^2$ if fixes each such lattice (again, up to projective equivalence), so it is the desired reflexion corresponding with $e$.

Consider the subgroup of $GL_2(\mathbb{Q})$ generated by $\Gamma_0(N)$ and some of these matrices $W_e,W_f,\dots$ and denote by $\Gamma_0(N)+e,f,\dots$ the quotient modulo positive scalar matrices, then
\[
\Gamma_0(N) \qquad \text{is a normal subgroup of} \qquad \Gamma_0(N)+e,f,\dots \]
with quotient isomorphic to some $(\mathbb{Z}/2\mathbb{Z})^l$ isomorphic to the subgroup generated by the involutions corresponding to $e,f,\dots$.

More generally, consider the $(n|h)$-thread for number lattices $n=n,0$ and $h=h,0$ such that $h | n$ as the sub-graph on all number lattices $l=l,0$ such that $h | l | n$. If we denote with $\Gamma_0(n|h)$ the point-wise stabilizer of $n$ and $h$, then we have that
\[
\Gamma(n|h) = \begin{bmatrix} h & 0 \\ 0 & 1 \end{bmatrix}^{-1}.\Gamma_0(\frac{n}{h}).\begin{bmatrix} h & 0 \\ 0 & 1 \end{bmatrix} \]
and we can then denote with
\[
\Gamma_0(n|h)+e,f,\dots \]
the conjugate of the corresponding group $\Gamma_0(\frac{n}{h})+e,f,\dots$.

If $h$ is the largest divisor of $24$ such that $h^2$ divides $N$, then Conway calls the spine of the $(N|1)$-snake the subgraph on all lattices of the snake whose distance from its periphery is exactly $log(h)$.

For $N=60$, $h=2$ and so the spine of the $(60|1)$-snake is the central piece connected with double black edges

\[
\xymatrix{& & & 15 \frac{1}{2} \ar@[red]@{-}[dd] & & \\
& & 5 \frac{1}{2} \ar@[red]@{-}[dd] & & & \\
& 15 \ar@[red]@{-}[rr] \ar@[blue]@{-}[dd] & & 30 \ar@[red]@{-}[rr] \ar@[black]@{=}[dd] & & 60 \ar@[blue]@{-}[dd] \\
5 \ar@[green]@{-}[ru] \ar@[blue]@{-}[dd] \ar@[red]@{-}[rr] & & 10 \ar@[black]@{=}[ru] \ar@[red]@{-}[rr] \ar@[black]@{=}[dd] & & 20 \ar@[green]@{-}[ru] \ar@[blue]@{-}[dd] & \\
& 3 \ar@[red]@{-}[rr] & & 6 \ar@[red]@{-}[rr] \ar@[red]@{-}[dd] & & 12 \\
1 \ar@[green]@{-}[ru] \ar@[red]@{-}[rr] & & 2 \ar@[black]@{=}[ru] \ar@[red]@{-}[rr] \ar@[red]@{-}[dd] & & 4 \ar@[green]@{-}[ru] & \\
& & & 3\frac{1}{2} & & \\
& & 1 \frac{1}{2} & & &} \]

which is the $(30|2)$-thread.

The upshot of all this is to have a visual proof of the Atkin-Lehner theorem which says that the full normalizer of $\Gamma_0(N)$ is the group $\Gamma_0(\frac{N}{h}|h)+$ (that is, adding all involutions) where $h$ is the largest divisor of $24$ for which $h^2|N$.

Any element of this normalizer must take every lattice in the $(N|1)$-snake fixed by $\Gamma_0(N)$ to another such lattice. Thus it follows that it must take the snake to itself.
Conversely, an element that takes the snake to itself must conjugate into itself the group of all matrices that fix every point of the snake, that is to say, must normalize $\Gamma_0(N)$.

But the elements that take the snake to itself are precisely those that take the spine to itself, and since this spine is just the $(\frac{N}{h}|h)$-thread, this group is just $\Gamma_0(\frac{N}{h}|h)+$.

Reference: J.H. Conway, “Understanding groups like $\Gamma_0(N)$”, in “Groups, Difference Sets, and the Monster”, Walter de Gruyter-Berlin-New York, 1996

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Brancusi’s advice : avoid vampires

My one and only resolution for 2018: ban vampires from my life!

Here’s the story.

In the 1920’s, Montparnasse was at the heart of the intellectual and artistic life in Paris because studios and cafés were inexpensive.

Artists including Picasso, Matisse, Zadkine, Modigliani, Dali, Chagall, Miro, and the Romanian sculptor Constantin Brancusi all lived there.

You’ll find many photographs of Picasso in the company of others (here center, with Modigliani and Salmon), but … not with Brancusi.

From A Life of Picasso: The Triumphant Years, 1917-1932 (Vol 3) by John Richardson:

“Brancusi disapproved of one of of Picasso’s fundamental characteristics—one that was all too familiar to the latter’s fellow artists and friends—his habit of making off not so much with their ideas as with their energy. “Picasso is a cannibal,” Brancusi said. He had a point. After a pleasurable day in Picasso’s company, those present were apt to end up suffering from collective nervous exhaustion. Picasso had made off with their energy and would go off to his studio and spend all night living off it. Brancusi hailed from vampire country and knew about such things, and he was not going to have his energy or the fruits of his energy appropriated by Picasso.”

I learned this story via Austin Kleon who made this video about it:


Show Your Work! Episode 1: Vampires from Austin Kleon on Vimeo.

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The Big Picture is non-commutative

Conway’s Big Picture consists of all pairs of rational numbers $M,\frac{g}{h}$ with $M > 0$ and $0 \leq \frac{g}{h} < 1$ with $(g,h)=1$. Recall from last time that $M,\frac{g}{h}$ stands for the lattice
\[
\mathbb{Z} (M \vec{e}_1 + \frac{g}{h} \vec{e}_2) \oplus \mathbb{Z} \vec{e}_2 \subset \mathbb{Q}^2 \]
and we associate to it the rational $2 \times 2$ matrix
\[
\alpha_{M,\frac{g}{h}} = \begin{bmatrix} M & \frac{g}{h} \\ 0 & 1 \end{bmatrix} \]

If $M$ is a natural number we write $M \frac{g}{h}$ and call the corresponding lattice number-like, if $g=0$ we drop the zero and write $M$.

The Big Picture carries a wealth of structures. Today, we will see that it can be factored as the product of Bruhat-Tits buildings for $GL_2(\mathbb{Q}_p)$, over all prime numbers $p$.

Here’s the factor-building for $p=2$, which is a $3$-valent tree:

To see this, define the distance between lattices to be
\[
d(M,\frac{g}{h}~|~N,\frac{i}{j}) = log~Det(q(\alpha_{M,\frac{g}{h}}.\alpha_{N,\frac{i}{j}}^{-1})) \]
where $q$ is the smallest strictly positive rational number such that $q(\alpha_{M,\frac{g}{h}}.\alpha_{N,\frac{i}{j}}^{-1}) \in GL_2(\mathbb{Z})$.

We turn the Big Picture into a (coloured) graph by drawing an edge (of colour $p$, for $p$ a prime number) between any two lattices distanced by $log(p)$.

\[
\xymatrix{M,\frac{g}{h} \ar@[red]@{-}[rr]|p & & N,\frac{i}{j}} \qquad~\text{iff}~\qquad d(M,\frac{g}{h}~|~N,\frac{i}{j})=log(p) \]

The $p$-coloured subgraph is $p+1$-valent.

The $p$-neighbours of the lattice $1 = \mathbb{Z} \vec{e}_1 \oplus \mathbb{Z} \vec{e}_2$ are precisely these $p+1$ lattices:

\[
p \qquad \text{and} \qquad \frac{1}{p},\frac{k}{p} \qquad \text{for} \qquad 0 \leq k < p \] And, multiplying the corresponding matrices with $\alpha_{M,\frac{g}{h}}$ tells us that the $p$-neighbours of $M,\frac{g}{h}$ are then these $p+1$ lattices: \[ pM,\frac{pg}{h}~mod~1 \qquad \text{and} \qquad \frac{M}{p},\frac{1}{p}(\frac{g}{h}+k)~mod~1 \qquad \text{for} \qquad 0 \leq k < p \] Here's part of the $2$-coloured neighbourhood of $1$

To check that the $p$-coloured subgraph is indeed the Bruhat-Tits building of $GL_2(\mathbb{Q}_p)$ it remains to see that it is a tree.

For this it is best to introduce $p+1$ operators on lattices

\[
p \ast \qquad \text{and} \qquad \frac{k}{p} \ast \qquad \text{for} \qquad 0 \leq k < p \] defined by left-multiplying $\alpha_{M,\frac{g}{h}}$ by the matrices \[ \begin{bmatrix} p & 0 \\ 0 & 1 \end{bmatrix} \qquad \text{and} \qquad \begin{bmatrix} \frac{1}{p} & \frac{k}{p} \\ 0 & 1 \end{bmatrix} \qquad \text{for} \qquad 0 \leq k < p \] The lattice $p \ast M,\frac{g}{h}$ lies closer to $1$ than $M,\frac{g}{h}$ (unless $M,\frac{g}{h}=M$ is a number) whereas the lattices $\frac{k}{p} \ast M,\frac{g}{h}$ lie further, so it suffices to show that the $p$ operators \[ \frac{0}{p} \ast,~\frac{1}{p} \ast,~\dots~,\frac{p-1}{p} \ast \] form a free non-commutative monoid.
This follows from the fact that the operator
\[
(\frac{k_n}{p} \ast) \circ \dots \circ (\frac{k_2}{p} \ast) \circ (\frac{k_1}{p} \ast) \]
is given by left-multiplication with the matrix
\[
\begin{bmatrix} \frac{1}{p^n} & \frac{k_1}{p^n}+\frac{k_2}{p^{n-1}}+\dots+\frac{k_n}{p} \\ 0 & 1 \end{bmatrix} \]
which determines the order in which the $k_i$ occur.

A lattice at distance $n log(p)$ from $1$ can be uniquely written as
\[
(\frac{k_{n-l}}{p} \ast) \circ \dots \circ (\frac{k_{l+1}}{p} \ast) \circ (p^l \ast) 1 \]
which gives us the unique path to it from $1$.

The Big Picture itself is then the product of these Bruhat-Tits trees over all prime numbers $p$. Decomposing the distance from $M,\frac{g}{h}$ to $1$ as
\[
d(M,\frac{g}{h}~|~1) = n_1 log(p_1) + \dots + n_k log(p_k) \]
will then allow us to find minimal paths from $1$ to $M,\frac{g}{h}$.

But we should be careful in drawing $2$-dimensional cells (or higher dimensional ones) in this ‘product’ of trees as the operators
\[
\frac{k}{p} \ast \qquad \text{and} \qquad \frac{l}{q} \ast \]
for different primes $p$ and $q$ do not commute, in general. The composition
\[
(\frac{k}{p} \ast) \circ (\frac{l}{q} \ast) \qquad \text{with matrix} \qquad \begin{bmatrix} \frac{1}{pq} & \frac{kq+l}{pq} \\ 0 & 1 \end{bmatrix} \]
has as numerator in the upper-right corner $0 \leq kq + l < pq$ and this number can be uniquely(!) written as \[ kq+l = up+v \qquad \text{with} \qquad 0 \leq u < q,~0 \leq v < p \] That is, there are unique operators $\frac{u}{q} \ast$ and $\frac{v}{p} \ast$ such that \[ (\frac{k}{p} \ast) \circ (\frac{l}{q} \ast) = (\frac{u}{q} \ast) \circ (\frac{v}{p} \ast) \] which determine the $2$-cells \[ \xymatrix{ \bullet \ar@[blue]@{-}[rr]^{\frac{u}{q} \ast} \ar@[red]@{-}[dd]_{\frac{v}{p} \ast} & & \bullet \ar@[red]@{-}[dd]^{\frac{k}{p} \ast} \\ & & \\ \bullet \ar@[blue]@{-}[rr]_{\frac{l}{q} \ast} & & \bullet} \] These give us the commutation relations between the free monoids of operators corresponding to different primes.
For the primes $2$ and $3$, relevant in the description of the Moonshine Picture, the commutation relations are

\[
(\frac{0}{2} \ast) \circ (\frac{0}{3} \ast) = (\frac{0}{3} \ast) \circ (\frac{0}{2} \ast), \quad
(\frac{0}{2} \ast) \circ (\frac{1}{3} \ast) = (\frac{0}{3} \ast) \circ (\frac{1}{2} \ast),
\quad
(\frac{0}{2} \ast) \circ (\frac{2}{3} \ast) = (\frac{1}{3} \ast) \circ (\frac{0}{2} \ast) \]

\[
(\frac{1}{2} \ast) \circ (\frac{0}{3} \ast) = (\frac{1}{3} \ast) \circ (\frac{1}{2} \ast), \quad
(\frac{1}{2} \ast) \circ (\frac{1}{3} \ast) = (\frac{2}{3} \ast) \circ (\frac{0}{2} \ast),
\quad
(\frac{1}{2} \ast) \circ (\frac{2}{3} \ast) = (\frac{2}{3} \ast) \circ (\frac{1}{2} \ast) \]

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The defining property of 24

From Wikipedia on 24:

“$24$ is the only number whose divisors, namely $1, 2, 3, 4, 6, 8, 12, 24$, are exactly those numbers $n$ for which every invertible element of the commutative ring $\mathbb{Z}/n\mathbb{Z}$ is a square root of $1$. It follows that the multiplicative group $(\mathbb{Z}/24\mathbb{Z})^* = \{ \pm 1, \pm 5, \pm 7, \pm 11 \}$ is isomorphic to the additive group $(\mathbb{Z}/2\mathbb{Z})^3$. This fact plays a role in monstrous moonshine.”

Where did that come from?

In the original “Monstrous Moonshine” paper by John Conway and Simon Norton, section 3 starts with:

“It is a curious fact that the divisors $h$ of $24$ are precisely those numbers $h$ for which $x.y \equiv 1~(mod~h)$ implies $x \equiv y~(mod~h)$.”

and a bit further they even call this fact:

“our ‘defining property of $24$'”.

The proof is pretty straightforward.

We want all $h$ such that every unit in $\mathbb{Z}/h \mathbb{Z}$ has order two.

By the Chinese remainder theorem we only have to check this for prime powers dividing $h$.

$5$ is a unit of order $4$ in $\mathbb{Z}/16 \mathbb{Z}$.

$2$ is a unit of order $6$ in $\mathbb{Z}/ 9 \mathbb{Z}$.

A generator of the cyclic group $(\mathbb{Z}/p\mathbb{Z})^*$ is a unit of order $p-1 > 2$ in $\mathbb{Z}/p \mathbb{Z}$, for any prime number $p \geq 5$.

This only leaves those $h$ dividing $2^3.3=24$.

But, what does it have to do with monstrous moonshine?

Moonshine assigns to elements of the Monster group $\mathbb{M}$ a specific subgroup of $SL_2(\mathbb{Q})$ containing a cofinite congruence subgroup

\[
\Gamma_0(N) = \{ \begin{bmatrix} a & b \\ cN & d \end{bmatrix}~|~a,b,c,d \in \mathbb{Z}, ad-Nbc = 1 \} \]

for some natural number $N = h.n$ where $n$ is the order of the monster-element, $h^2$ divides $N$ and … $h$ is a divisor of $24$.

To begin to understand how the defining property of $24$ is relevant in this, take any strictly positive rational number $M$ and any pair of coprime natural numbers $g < h$ and associate to $M \frac{g}{h}$ the matrix \[ \alpha_{M\frac{g}{h}} = \begin{bmatrix} M & \frac{g}{h} \\ 0 & 1 \end{bmatrix} \] We say that $\Gamma_0(N)$ fixes $M \frac{g}{h}$ if we have that
\[
\alpha_{M\frac{g}{h}} \Gamma_0(N) \alpha_{M\frac{g}{h}}^{-1} \subset SL_2(\mathbb{Z}) \]

For those in the know, $M \frac{g}{h}$ stands for the $2$-dimensional integral lattice
\[
\mathbb{Z} (M \vec{e}_1 + \frac{g}{h} \vec{e}_2) \oplus \mathbb{Z} \vec{e}_2 \]
and the condition tells that $\Gamma_0(N)$ preserves this lattice under base-change (right-multiplication).

In “Understanding groups like $\Gamma_0(N)$” Conway describes the groups appearing in monstrous moonshine as preserving specific finite sets of these lattices.

For this, it is crucial to determine all $M\frac{g}{h}$ fixed by $\Gamma_0(N)$.

\[
\alpha_{M\frac{g}{h}}.\begin{bmatrix} 1 & 1 \\ 0 & 1 \end{bmatrix}.\alpha_{M\frac{g}{h}}^{-1} = \begin{bmatrix} 1 & M \\ 0 & 1 \end{bmatrix} \]

so we must have that $M$ is a natural number, or that $M\frac{g}{h}$ is a number-like lattice, in Conway-speak.

\[
\alpha_{M\frac{g}{h}}.\begin{bmatrix} 1 & 0 \\ N & 1 \end{bmatrix}.\alpha_{M\frac{g}{h}}^{-1} = \begin{bmatrix} 1 + \frac{Ng}{Mh} & – \frac{Ng^2}{Mh^2} \\ \frac{N}{M} & 1 – \frac{Ng}{Mh} \end{bmatrix} \]

so $M$ divides $N$, $Mh$ divides $Ng$ and $Mh^2$ divides $Ng^2$. As $g$ and $h$ are coprime it follows that $Mh^2$ must divide $N$.

Now, for an arbitrary element of $\Gamma_0(N)$ we have

\[
\alpha_{M\frac{g}{h}}.\begin{bmatrix} a & b \\ cN & d \end{bmatrix}.\alpha_{M\frac{g}{h}}^{-1} = \begin{bmatrix} a + c \frac{Ng}{Mh} & Mb – c \frac{Ng^2}{Mh^2} – (a-d) \frac{g}{h} \\ c \frac{N}{M} & d – c \frac{Ng}{Mh} \end{bmatrix} \]
and using our divisibility requirements it follows that this matrix belongs to $SL_2(\mathbb{Z})$ if $a-d$ is divisible by $h$, that is if $a \equiv d~(mod~h)$.

We know that $ad-Nbc=1$ and that $h$ divides $N$, so $a.d \equiv 1~(mod~h)$, which implies $a \equiv d~(mod~h)$ if $h$ satisfies the defining property of $24$, that is, if $h$ divides $24$.

Concluding, $\Gamma_0(N)$ preserves exactly those lattices $M\frac{g}{h}$ for which
\[
1~|~M~|~\frac{N}{h^2}~\quad~\text{and}~\quad~h~|~24 \]

A first step towards figuring out the Moonshine Picture.

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