# the Reddit (after)effect

Sunday january 2nd around 18hr NeB-stats went crazy.

Referrals clarified that the post ‘What is the knot associated to a prime?’ was picked up at Reddit/math and remained nr.1 for about a day.

Now, the dust has settled, so let’s learn from the experience.

A Reddit-mention is to a blog what doping is to a sporter.

You get an immediate boost in the most competitive of all blog-stats, the number of unique vistors (blue graph), but is doesn’t result in a long-term effect, and, it may even be harmful to more essential blog-stats, such as the average time visitors spend on your site (yellow graph).

For NeB the unique vistors/day fluctuate normally around 300, but peaked to 1295 and 1733 on the ‘Reddit-days’. In contrast, the avg. time on site is normally around 3 minutes, but dropped the same days to 44 and 30 seconds!

Whereas some of the Reddits spend enough time to read the post and comment on it, the vast majority zap from one link to the next. Having monitored the Reddit/math page for two weeks, I’m convinced that post only made it because it was visually pretty good. The average Reddit/math-er is a viewer more than a reader…

So, should I go for shorter, snappier, more visual posts?

Let’s compare Reddits to those coming from the three sites giving NeB most referrals : Google search, MathOverflow and Wikipedia.

This is the traffic coming from Reddit/math, as always the blue graph are the unique visitors, the yellow graph their average time on site, blue-scales to the left, yellow-scales to the right.

Here’s the same graph for Google search. The unique visitors/day fluctuate around 50 and their average time on site about 2 minutes.

The math-related search terms most used were this month : ‘functor of point approach’, ‘profinite integers’ and ‘bost-connes sytem’.

More rewarding to me are referrals from MathOverflow.

The number of visitors depends on whether the MathO-questions made it to the front-page (for example, the 80 visits on december 15, came from the What are dessins d’enfants?-topic getting an extra comment that very day, and having two references to NeB-posts : The best rejected proposal ever and Klein’s dessins d’enfant and the buckyball), but even older MathO-topics give a few referrals a day, and these people sure take their time reading the posts (+ 5 minutes).

Other MathO-topics giving referrals this month were Most intricate and most beautiful structures in mathematics (linking to Looking for F-un), What should be learned in a first serious schemes course? (linking to Mumford’s treasure map (btw. one of the most visited NeB-posts ever)), How much of scheme theory can you visualize? (linking again to Mumford’s treasure map) and Approaches to Riemann hypothesis using methods outside number theory (linking to the Bost-Connes series).

Finally, there’s Wikipedia

giving 5 to 10 referrals a day, with a pretty good time-on-site average (around 4 minutes, peaking to 12 minutes). It is rewarding to see NeB-posts referred to in as diverse Wikipedia-topics as ‘Fifteen puzzle’, ‘Field with one element’, ‘Evariste Galois’, ‘ADE classification’, ‘Monster group’, ‘Arithmetic topology’, ‘Dessin d’enfant’, ‘Groupoid’, ‘Belyi’s theorem’, ‘Modular group’, ‘Cubic surface’, ‘Esquisse d’un programme’, ‘N-puzzle’, ‘Shabat polynomial’ and ‘Mathieu group’.

What lesson should be learned from all this data? Should I go for shorter, snappier and more visual posts, or should I focus on the small group of visitors taking their time reading through a longer post, and don’t care about the appallingly high bounce rate the others cause?

# So, who did discover the Leech lattice?

For the better part of the 30ties, Ernst Witt (1) did hang out with the rest of the ‘Noetherknaben’, the group of young mathematicians around Emmy Noether (3) in Gottingen.

In 1934 Witt became Helmut Hasse‘s assistent in Gottingen, where he qualified as a university lecturer in 1936. By 1938 he has made enough of a name for himself to be offered a lecturer position in Hamburg and soon became an associate professor, the down-graded position held by Emil Artin (2) until he was forced to emigrate in 1937.

A former fellow student of him in Gottingen, Erna Bannow (4), had gone earlier to Hamburg to work with Artin. She continued her studies with Witt and finished her Ph.D. in 1939. In 1940 Erna Bannow and Witt married.

So, life was smiling on Ernst Witt that sunday january 28th 1940, both professionally and personally. There was just one cloud on the horizon, and a rather menacing one. He was called up by the Wehrmacht and knew he had to enter service in february. For all he knew, he was spending the last week-end with his future wife… (later in february 1940, Blaschke helped him to defer his military service by one year).

Still, he desperately wanted to finish his paper before entering the army, so he spend most of that week-end going through the final version and submitted it on monday, as the published paper shows.

In the 70ties, Witt suddenly claimed he did discover the Leech lattice ${\Lambda}$ that sunday. Last time we have seen that the only written evidence for Witt’s claim is one sentence in his 1941-paper Eine Identität zwischen Modulformen zweiten Grades. “Bei dem Versuch, eine Form aus einer solchen Klassen wirklich anzugeben, fand ich mehr als 10 verschiedene Klassen in ${\Gamma_{24}}$.”

But then, why didn’t Witt include more details of this sensational lattice in his paper?

Ina Kersten recalls on page 328 of Witt’s collected papers : “In his colloquium talk “Gitter und Mathieu-Gruppen” in Hamburg on January 27, 1970, Witt said that in 1938, he had found nine lattices in ${\Gamma_{24}}$ and that later on January 28, 1940, while studying the Steiner system ${S(5,8,24)}$, he had found two additional lattices ${M}$ and ${\Lambda}$ in ${\Gamma_{24}}$. He continued saying that he had then given up the tedious investigation of ${\Gamma_{24}}$ because of the surprisingly low contribution

$\displaystyle | Aut(\Lambda) |^{-1} < 10^{-18}$

to the Minkowski density and that he had consented himself with a short note on page 324 in his 1941 paper.”

In the last sentence he refers to the fact that the sum of the inverse orders of the automorphism groups of all even unimodular lattices of a given dimension is a fixed rational number, the Minkowski-Siegel mass constant. In dimension 24 this constant is

$\displaystyle \sum_{L} \frac{1}{| Aut(L) |} = \frac {1027637932586061520960267}{129477933340026851560636148613120000000} \approx 7.937 \times 10^{-15}$

That is, Witt was disappointed by the low contribution of the Leech lattice to the total constant and concluded that there might be thousands of new even 24-dimensional unimodular lattices out there, and dropped the problem.

If true, the story gets even better : not only claims Witt to have found the lattices ${A_1^{24}=M}$ and ${\Lambda}$, but also enough information on the Leech lattice in order to compute the order of its automorphism group ${Aut(\Lambda)}$, aka the Conway group ${Co_0 = .0}$ the dotto-group!

Is this possible? Well fortunately, the difficulties one encounters when trying to compute the order of the automorphism group of the Leech lattice from scratch, is one of the better documented mathematical stories around.

The books From Error-Correcting Codes through Sphere Packings to Simple Groups by Thomas Thompson, Symmetry and the monster by Mark Ronan, and Finding moonshine by Marcus du Sautoy tell the story in minute detail.

It took John Conway 12 hours on a 1968 saturday in Cambridge to compute the order of the dotto group, using the knowledge of Leech and McKay on the properties of the Leech lattice and with considerable help offered by John Thompson via telephone.

But then, John Conway is one of the fastest mathematicians the world has known. The prologue of his book On numbers and games begins with : “Just over a quarter of a century ago, for seven consecutive days I sat down and typed from 8:30 am until midnight, with just an hour for lunch, and ever since have described this book as “having been written in a week”.”

Conway may have written a book in one week, Ernst Witt did complete his entire Ph.D. in just one week! In a letter of August 1933, his sister told her parents : “He did not have a thesis topic until July 1, and the thesis was to be submitted by July 7. He did not want to have a topic assigned to him, and when he finally had the idea, he started working day and night, and eventually managed to finish in time.”

So, if someone might have beaten John Conway in fast-computing the dottos order, it may very well have been Witt. Sadly enough, there is a lot of circumstantial evidence to make Witt’s claim highly unlikely.

For starters, psychology. Would you spend your last week-end together with your wife to be before going to war performing an horrendous calculation?

Secondly, mathematical breakthroughs often arise from newly found insight. At that time, Witt was also working on his paper on root lattices “Spiegelungsgrupen and Aufzähling halbeinfacher Liescher Ringe” which he eventually submitted in january 1941. Contained in that paper is what we know as Witt’s lemma which tells us that for any integral lattice the sublattice generated by vectors of norms 1 and 2 is a direct sum of root lattices.

This leads to the trick of trying to construct unimodular lattices by starting with a direct sum of root lattices and ‘adding glue’. Although this gluing-method was introduced by Kneser as late as 1967, Witt must have been aware of it as his 16-dimensional lattice ${D_{16}^+}$ is constructed this way.

If Witt wanted to construct new 24-dimensional even unimodular lattices in 1940, it would be natural for him to start off with direct sums of root lattices and trying to add vectors to them until he got what he was after. Now, all of the Niemeier-lattices are constructed this way, except for the Leech lattice!

I’m far from an expert on the Niemeier lattices but I would say that Witt definitely knew of the existence of ${D_{24}^+}$, ${E_8^3}$ and ${A_{24}^+}$ and that it is quite likely he also constructed ${(D_{16}E_8)^+, (D_{12}^2)^+, (A_{12}^2)^+, (D_8^3)^+}$ and possibly ${(A_{17}E_7)^+}$ and ${(A_{15}D_9)^+}$. I’d rate it far more likely Witt constructed another two such lattices on sunday january 28th 1940, rather than discovering the Leech lattice.

Finally, wouldn’t it be natural for him to include a remark, in his 1941 paper on root lattices, that not every even unimodular lattices can be obtained from sums of root lattices by adding glue, the Leech lattice being the minimal counter-example?

If it is true he was playing around with the Steiner systems that sunday, it would still be a pretty good story he discovered the lattices ${(A_2^{12})^+}$ and ${(A_1^{24})^+}$, for this would mean he discovered the Golay codes in the process!

Which brings us to our next question : who discovered the Golay code?

# Who discovered the Leech lattice?

The Leech lattice was, according to wikipedia, ‘originally discovered by Ernst Witt in 1940, but he did not publish his discovery’ and it ‘was later re-discovered in 1965 by John Leech’. However, there is very little evidence to support this claim.

The facts

What is certain is that John Leech discovered in 1965 an amazingly dense 24-dimensional lattice ${\Lambda}$ having the property that unit balls around the lattice points touch, each one of them having exactly 196560 neighbors. The paper ‘Notes on sphere packings’ appeared in 1967 in the Canad. J. Math. 19, 251-267.

Compare this to the optimal method to place pennies on a table, leading to the hexagonal tiling, each penny touching exactly 6 others. Similarly, in dimension 8 the densest packing is the E8 lattice in which every unit ball has exactly 240 neighbors.

The Leech lattice ${\Lambda}$ can be characterized as the unique unimodular positive definite even lattice such that the length of any non-zero vector is at least two.

The list of all positive definite even unimodular lattices, ${\Gamma_{24}}$, in dimension 24 was classified later by Hans-Volker Niemeier and are now known as the 24 Niemeier lattices.

For the chronology below it is perhaps useful to note that, whereas Niemeier’s paper did appear in 1973, it was submitted april 5th 1971 and is just a minor rewrite of Niemeier’s Ph.D. “Definite quadratische Formen der Dimension 24 und Diskriminante 1″ obtained in 1968 from the University of Göttingen with advisor Martin Kneser.

The claim

On page 328 of Ernst Witt’s Collected Papers Ina Kersten recalls that Witt gave a colloquium talk on January 27, 1970 in Hamburg entitled “Gitter und Mathieu-Gruppen” (Lattices and Mathieu-groups). In this talk Witt claimed to have found nine lattices in ${\Gamma_{24}}$ as far back as 1938 and that on January 28, 1940 he found two additional lattices ${M}$ and ${\Lambda}$ while studying the Steiner system ${S(5,8,24)}$.

On page 329 of the collected papers is a scan of the abstract Witt wrote in the colloquium book in Bielefeld where he gave a talk “Uber einige unimodularen Gitter” (On certain unimodular lattices) on January 28, 1972

Here, Witt claims that he found three new lattices in ${\Gamma_{24}}$ on January 28, 1940 as the lattices ${M}$, ${M’}$ and ${\Lambda}$ ‘feiern heute ihren 32sten Gebursttag!’ (celebrate today their 32nd birthday).

He goes on telling that the lattices ${M}$ and ${\Lambda}$ were number 10 and 11 in his list of lattices in ${\Gamma_{24}}$ in his paper “Eine Identität zwischen Modulformen zweiten Grades” in the Abh. Math. Sem. Univ. Hamburg 14 (1941) 323-337 and he refers in particular to page 324 of that paper.

He further claims that he computed the orders of their automorphism groups and writes that ${\Lambda}$ ‘wurde 1967 von Leech wieder-entdeckt’ (was re-discovered by Leech in 1967) and that its automorphism group ${G(\Lambda)}$ was studied by John Conway. Recall that Conway’s investigations of the automorphism group of the Leech lattice led to the discovery of three new sporadic groups, the Conway groups ${Co_1,Co_2}$ and ${Co_3}$.

However, Witt’s 1941-paper does not contain a numbered list of 24-dimensional lattices. In fact, apart from ${E_8+E_8+E_8}$ is does not contain a single lattice in ${\Gamma_{24}}$. The only relevant paragraph is indeed on page 324

He observes that Mordell already proved that there is just one lattice in ${\Gamma_8}$ (the ${E_8}$-lattice) and that the main result of his paper is to prove that there are precisely two even unimodular 16-dimensional lattices : ${E_8+E_8}$ and another lattice, now usually called the 16-dimensional Witt-lattice.

He then goes on to observe that Schoeneberg knew that ${\# \Gamma_{24} > 1}$ and so there must be more lattices than ${E_8+E_8+E_8}$ in ${\Gamma_{24}}$. Witt concludes with : “In my attempt to find such a lattice, I discovered more than 10 lattices in ${\Gamma_{24}}$. The determination of ${\# \Gamma_{24}}$ does not seem to be entirely trivial.”

Hence, it is fair to assume that by 1940 Ernst Witt had discovered at least 11 of the 24 Niemeier lattices. Whether the Leech lattice was indeed lattice 11 on the list is anybody’s guess.

Next time we will look more closely into the historical context of Witt’s 1941 paper.

# Langlands versus Connes

This is a belated response to a Math-Overflow exchange between Thomas Riepe and Chandan Singh Dalawat asking for a possible connection between Connes’ noncommutative geometry approach to the Riemann hypothesis and the Langlands program.

Here’s the punchline : a large chunk of the Connes-Marcolli book Noncommutative Geometry, Quantum Fields and Motives can be read as an exploration of the noncommutative boundary to the Langlands program (at least for $GL_1$ and $GL_2$ over the rationals $\mathbb{Q}$).

Recall that Langlands for $GL_1$ over the rationals is the correspondence, given by the Artin reciprocity law, between on the one hand the abelianized absolute Galois group

$Gal(\overline{\mathbb{Q}}/\mathbb{Q})^{ab} = Gal(\mathbb{Q}(\mu_{\infty})/\mathbb{Q}) \simeq \hat{\mathbb{Z}}^*$

and on the other hand the connected components of the idele classes

$\mathbb{A}^{\ast}_{\mathbb{Q}}/\mathbb{Q}^{\ast} = \mathbb{R}^{\ast}_{+} \times \hat{\mathbb{Z}}^{\ast}$

The locally compact Abelian group of idele classes can be viewed as the nice locus of the horrible quotient space of adele classes $\mathbb{A}_{\mathbb{Q}}/\mathbb{Q}^{\ast}$. There is a well-defined map

$\mathbb{A}_{\mathbb{Q}}’/\mathbb{Q}^{\ast} \rightarrow \mathbb{R}_{+} \qquad (x_{\infty},x_2,x_3,\ldots) \mapsto | x_{\infty} | \prod | x_p |_p$

from the subset $\mathbb{A}_{\mathbb{Q}}’$ consisting of adeles of which almost all terms belong to $\mathbb{Z}_p^{\ast}$. The inverse image of this map over $\mathbb{R}_+^{\ast}$ are precisely the idele classes $\mathbb{A}^{\ast}_{\mathbb{Q}}/\mathbb{Q}^{\ast}$. In this way one can view the adele classes as a closure, or ‘compactification’, of the idele classes.

This is somewhat reminiscent of extending the nice action of the modular group on the upper-half plane to its badly behaved action on the boundary as in the Manin-Marcolli cave post.

The topological properties of the fiber over zero, and indeed of the total space of adele classes, are horrible in the sense that the discrete group $\mathbb{Q}^*$ acts ergodically on it, due to the irrationality of $log(p_1)/log(p_2)$ for primes $p_i$. All this is explained well (in the semi-local case, that is using $\mathbb{A}_Q’$ above) in the Connes-Marcolli book (section 2.7).

In much the same spirit as non-free actions of reductive groups on algebraic varieties are best handled using stacks, such ergodic actions are best handled by the tools of noncommutative geometry. That is, one tries to get at the geometry of $\mathbb{A}_{\mathbb{Q}}/\mathbb{Q}^{\ast}$ by studying an associated non-commutative algebra, the skew-ring extension of the group-ring of the adeles by the action of $\mathbb{Q}^*$ on it. This algebra is known to be Morita equivalent to the Bost-Connes algebra which is the algebra featuring in Connes’ approach to the Riemann hypothesis.

It shouldn’t thus come as a major surprise that one is able to recover the other side of the Langlands correspondence, that is the Galois group $Gal(\mathbb{Q}(\mu_{\infty})/\mathbb{Q})$, from the Bost-Connes algebra as the symmetries of certain states.

In a similar vein one can read the Connes-Marcolli $GL_2$-system (section 3.7 of their book) as an exploration of the noncommutative closure of the Langlands-space $GL_2(\mathbb{A}_{\mathbb{Q}})/GL_2(\mathbb{Q})$.

At the moment I’m running a master-seminar noncommutative geometry trying to explain this connection in detail. But, we’re still in the early phases, struggling with the topology of ideles and adeles, reciprocity laws, L-functions and the lot. Still, if someone is interested I might attempt to post some lecture notes here.

# Seriously now, where was the Bourbaki wedding?

A few days before Halloween, Norbert Dufourcq (who died december 17th 1990…), sent me a comment, containing lots of useful information, hinting I did get it wrong about the church of the Bourbali wedding in the previous post.

Norbert Dufourcq, an organist and student of Andre Machall, the organist-in-charge at the Saint-Germain-des-Prés church in 1939, the place where I speculated the Bourbaki wedding took place, concluded his comment with :

“P.S. Lieven, you _do_ know about the Schola Cantorum, now, don’t you?!?”.

Euh… actually … no, I did not …

La Schola Cantorum is a private music school in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d’Indy as a counterbalance to the Paris Conservatoire’s emphasis on opera. Its alumni include many significant figures in 20th century music, such as Erik Satie and Cole Porter.

Schola Cantorum is situated 69, rue Saint Jacques, Paris, just around the corner of the Ecole Normal Superieure, home base to the Bourbakis. In fact, closer investigation reveals striking similarities and very close connections between the circle of artists at la Schola and the Bourbaki group.

In december 1934, the exact month the Bourbaki group was formed, a radical reorganisation took place at the Schola, when Nestor Lejeune became the new director. He invited several young musicians, many from the famous Dukas-class, to take up teaching positions at the Schola.

Here’s a picture of part of the Dukas class of 1929, several of its members will play a role in the upcoming events :
from left to right next to the piano : Pierre Maillard-Verger, Elsa Barraine, Yvonne Desportes, Tony Aubin, Pierre Revel, Georges Favre, Paul Dukas, René Duclos, Georges Hugon, Maurice Duruflé. Seated on the right : Claude Arrieu, Olivier Messiaen.

The mid-1930s in Paris saw the emergence of two closely-related groups with a membership which overlapped : La Spirale and La Jeune France. La Spirale was founded in 1935 under the leadership of Georges Migot; its other committee members were Paul Le Flem, his pupil André Jolivet, Edouard Sciortino, Claire Delbos, her husband Olivier Messiaen, Daniel-Lesur and Jules Le Febvre. The common link between almost all of these musicians was their connection with the Schola Cantorum.

On the left : Les Jeunes Musiciens Français : André Jolivet on the Piano. Standing from left to right :
Olivier Messiaen, Yves Baudrier, Daniel-Lesur.

Nigel Simeone wrote this about Messiaen and La Jeune France :
“The extremely original and independent-minded Messiaen had already shown himself to be a rather unexpected enthusiast for joining groups: in December 1932 he wrote to his friend Claude Arrieu about a letter from another musician, Jacques Porte, outlining plans for a new society to be called Les Jeunes Musiciens Français.
Messiaen agreed to become its vice-president, but nothing seems to have come of the project. Six months later, in June 1933, he had a frustrating meeting with Roger Désormière on behalf of the composers he described to Arrieu as ‘les quatre’, all of them Dukas pupils: Elsa Barraine, the recently-deceased Jean Cartan, Arrieu and Messiaen himself; during the early 1930s Messiaen and Arrieu organised concerts featuring all four composers.”

Finally, we’re getting a connection with the Bourbaki group! Norbert Dufourcq mentioned it already in his comment “Messiaen was also a good friend of Jean Cartan (himself a composer, and Henri’s brother)”. Henri Cartan was one of the first Bourbakis and an excellent piano player himself.

The Cartan family picture on the right : standing from left to right, father Elie Cartan (one of the few older French mathematicians respected by the Bourbakis), Henri and his mother Marie-Louise. Seated, the younger children, from left to right : Louis, Helene (who later became a mathematician, herself) and the composer Jean Cartan, who sadly died very young from tuberculoses in 1932…

The december 1934 revolution in French music at the Schola Cantorum, instigated by Messiaen and followers, was the culmination of a process that started a few years before when Jean Cartan was among the circle of revolutionados. Because Messiaen was a fiend of the Cartan family, they surely must have been aware of the events at the Schola (or because it was merely a block away from the ENS), and, the musicians’ revolt may very well have been an example to follow for the first Bourbakis…(?!)

Anyway, we now know the intended meaning of the line “with lemmas sung by the Scholia Cartanorum” on the wedding-invitation. Cartanorum is NOT (as I claimed last time) bad Latin for ‘Cartesiorum’, leading to Descartes and the Saint-Germain-des-Pres church, but is in fact passable Latin (plur. gen.) of CARTAN(us), whence the translation “with lemmas sung by the school of the Cartans”. There’s possibly a double pun intended here : first, a reference to (father) Cartan’s lemma and, of course, to La Schola where the musical Cartan-family felt at home.

Fine, but does this brings us any closer to the intended place of the Bourbaki-Petard wedding? Well, let’s reconsider the hidden ‘clues’ we discovered last time : the phrase “They will receive the trivial isomorphism from P. Adic, of the Order of the Diophantines” might suggest that the church belongs to a a religious order and is perhaps an abbey- or convent-church and the phrase “the organ will be played by Monsieur Modulo” requires us to identify this mysterious Mister Modulo, because Norbert Dufourcq rightfully observed :

“note however that in 1939, it wasn’t as common to have a friend-organist perform at a wedding as it is today: the appointed organists, especially at prestigious Paris positions, were much less likely to accept someone play in their stead.”

The history of La Schola Cantorum reveals something that might have amused Frank Smithies (remember he was one of the wedding-invitation-composers) : the Schola is located in the Convent(!) of the Brittish Benedictines…

In 1640 some Benedictine monks, on the run after the religious schism in Britain, found safety in Paris under the protection of Cardinal Richelieu and Anne of Austria at Val-de-Grace, where the Schola is now housed.

As is the case with most convents, the convent of the Brittish Benedictines did have its own convent church, now called l’église royale Notre-Dame du Val-de-Grâce (remember that one of the possible interpretations for “of the universal variety” was that the name of the church would be “Notre-Dame”…).

This church is presently used as the concert hall of La Schola and is famous for its … musical organ : “In 1853, Aristide Cavaillé-Coll installed a new organ in the Church of Sainte-geneviève which had been restored in its rôle as a place of worship by Prince President Louis-Napoléon. In 1885, upon the decision of President Jules Grévy, this church once again became the Pantheon and, six years later, according to an understanding between the War and Public Works Departments, the organ was transferred to the Val-de-Grâce, under the supervision of the organ builder Merklin. Beforehand, the last time it was heard in the Pantheon must have been for the funeral service of Victor Hugo.
In 1927, a raising was carried out by the builder Paul-Marie Koenig, and the inaugural concert was given by André Marchal and Achille Philippe, the church’s organist. Added to the register of historic monument in 1979, Val-de-Grâce’s “ little great organ ”, as Cavaillé-Coll called it, was restored in 1993 by the organ builders François Delangue and Bernard Hurvy.
The organ of Val-de-Grâce is one the rare parisian surviving witnesses of the art of Aristide Cavaillé-Coll, an instrument that escaped abusive and definitive transformations or modernizations. This explain why, in spite of its relatively modest scale, this organ enjoys quite a reputation, and this, as far as the United States.”

By why would the Val-de-Grace organiste at the time Achille Philip, “organiste titulaire du Val-de-Grâce de 1903 à 1950 et professeur d’orgue et d’harmonie à la Schola Cantorum de 1904 à 1950″, be called ‘Mister Modulo’ in the wedding-invitations line “L’orgue sera tenu par Monsieur Modulo”???

Again, the late Norbert Dufourcq comes to our rescue, proposing a good candidate for ‘Monsieur Modulo’ : “As for “modulo”, note that the organist at Notre-Dame at that time, Léonce de Saint-Martin, was also the composer of a “Suite Cyclique”, though I admit that this is just wordplay: there is nothing “modular” about this work. Maybe a more serious candidate would be Olivier Messiaen (who was organist at the Église de la Trinité): his “modes à transposition limitée” are really about Z/12Z→Z/3Z and Z/12Z→Z/4Z. “

Messiaen’s ‘Modes of limited transposition’ were compiled in his book ‘Technique de mon langage musical’. This book was published in Paris by Leduc, as late as 1944, 5 years after the wedding-invitation.

Still, several earlier works of Messiaen used these schemes, most notably La Nativité du Seigneur, composed in 1935 : “The work is one of the earliest to feature elements that were to become key to Messiaen’s later compositions, such as the extensive use of the composer’s own modes of limited transposition, as well as influence from birdsong, and the meters and rhythms of Ancient Greek and traditional Indian music.”

More details on Messiaen’s modes and their connection to modular arithmetic can be found in the study Implementing Modality in Algorithmic Composition by Vincent Joseph Manzo.

Hence, Messiaen is a suitable candidate for the title ‘Monsieur Modulo’, but would he be able to play the Val-de-Grace organ while not being the resident organist?

Remember, the Val-de-Grace church was the concert hall of La Schola, and its musical organ the instrument of choice for the relevant courses. Now … Olivier Messiaen taught at the Schola Cantorum and the École Normale de Musique from 1936 till 1939. So, at the time of the Bourbaki-Petard wedding he would certainly be allowed to play the Cavaillé-Coll organ.

Perhaps we got it right, the second time around : the Bourbaki-Pétard wedding was held on June 3rd 1939 in the church ‘l’église royale Notre-Dame du Val-de-Grâce’ at 12h?