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Category: france

Cartan meets Lacan

In the Grothendieck meets Lacan-post we did mention that Alain Connes wrote a book together with Patrick Gauthier-Lafaye “A l’ombre de Grothendieck et de Lacan, un topos sur l’inconscient”, on the potential use of Grothendieck’s toposes for the theory of unconsciousness, proposed by the French psychoanalyst Jacques Lacan.

A bit more on that book you can read in the topos of unconsciousness. For another take on this you can visit the blog of l’homme quantique – Sur les traces de Lévi-Strauss, Lacan et Foucault, filant comme le sable au vent marin…. There is a series of posts dedicated to the reading of ‘A l’ombre de Grothendieck et de Lacan’:

Alain Connes isn’t the first (former) Bourbaki-member to write a book together with a Lacan-disciple.

In 1984, Henri Cartan (one of the founding fathers of Bourbaki) teamed up with the French psychoanalyst (and student of Lacan) Jean-Francois Chabaud for “Le Nœud dit du fantasme – Topologie de Jacques Lacan”.



(Chabaud on the left, Cartan on the right, Cartan’s wife Nicole in the mddle)

“Dans cet ouvrage Jean François Chabaud, psychanalyste, effectue la monstration de l’interchangeabilité des consistances de la chaîne de Whitehead (communément nommée « Noeud dit du fantasme » ou du « Non rapport sexuel » dans l’aire analytique), et peut ainsi se risquer à proposer, en s’appuyant sur les remarques essentielles de Jacques Lacan, une écriture du virage, autre nom de la passe. Henri Cartan (1904-2008), l’un des Membres-fondateur de N. Bourbaki, a contribué à ce travail avec deux réflexions : la première, considère cette monstration et l’augmente d’une présentation ; la seconde, traite tout particulièrement de l’orientation des consistances. Une suite de traces d’une séquence de la chaîne précède ce cahier qui s’achève par : « L’en-plus-de-trait », une contribution à l’écriture nodale.”

Lacan was not only fascinated by the topology of surfaces such as the crosscap (see the topos of unconsciousness), but also by the theory of knots and links.

The Borromean link figures in Lacan’s world for the Real, the Imaginary and the Symbolic. The Whitehead link (that is, two unknots linked together) is thought to be the knot (sic) of phantasy.

In 1986, there was the exposition “La Chaine de J.H.C. Whitehead” in the
Palais de la découverte in Paris (from which also the Chabaud-Cartan picture above is taken), where la Salle de Mathématiques was filled with different models of the Whitehead link.

In 1988, the exposition was held in the Deutches Museum in Munich and was called “Wandlung – Darstellung der topologischen Transformationen der Whitehead-Kette”



The set-up in Munich was mathematically more interesting as one could see the link-projection on the floor, and use it to compute the link-number. It might have been even more interesting if the difference in these projections between two subsequent models was exactly one Reidemeister move

You can view more pictures of these and subsequent expositions on the page dedicated to the work of Jean-Francois Chabaud: La Chaîne de Whitehead ou Le Nœud dit du fantasme Livre et Expositions 1980/1997.

Part of the first picture featured also in the Hommage to Henri Cartan (1904-2008) by Michele Audin in the Notices of the AMS. She writes (about the 1986 exposition):

“At the time, Henri Cartan was 82 years old and retired, but he continued to be interested in mathematics and, as one sees, its popularization.”

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Bourbaki, Brassens, Hula Hoops and Coconuts

More than ten years ago, when I ran a series of posts on pre-WW2 Bourbaki congresses, I knew most of the existing B-literature. I’m afraid I forgot most of it, thereby missing opportunities to spice up a dull post (such as yesterday’s).

Right now, I need facts about the infamous ACNB and its former connection to Nancy, so I reread Liliane Beaulieu’s Bourbaki a Nancy:

(page 38) : “Like a theatrical canvas, “La Tribu” often carries as its header a subtitle, the product of its editor’s imagination, which brings out the theme of the congress, if necessary. There is thus a “De Nicolaıdes” congress in Nancy, “Du banc public” (reference to Brassens) that of the “Universites cogerees” (in October 68, at the time of co-management).”

The first La Ciotat congress (February 27 to March 6, 1955) was called ‘the congress of the public bench’ (‘banc public’ in French) where Serre and Cartan tried to press Bourbaki to opt for the by now standard approach to varieties (see yesterday), and the following Chicago-congress retaliated by saying that there were also public benches nearby, but of little use.

What I missed was the reference to French singer-songwriter George Brassens. In 1953, he wrote, composed and performed Bancs Public (later called ‘Les Amoureux des bancs publics’).

If you need further evidence (me, I’ll take Liliane’s word on anything B-related), here’s the refrain of the song:

“Les amoureux qui s’bécotent sur les bancs publics,
Bancs publics, bancs publics,
En s’foutant pas mal du regard oblique
Des passants honnêtes,
Les amoureux qui s’bécotent sur les bancs publics,
Bancs publics, bancs publics,
En s’disant des “Je t’aime'” pathétiques,
Ont des p’tits gueules bien sympathiques!

(G-translated as:
‘Lovers who smooch on public benches,
Public benches, public benches,
By not giving a damn about the sideways gaze
Honest passers-by,
The lovers who smooch on the public benches,
Public benches, public benches,
Saying pathetic “I love you” to each other,
Have very nice little faces!‘)

Compare this to page 3 of the corresponding “La Tribu”:

“Geometrie Algebrique : elle a une guele bien sympathique.”

(Algebraic Geometry : she has a very nice face)

More Bourbaki congresses got their names rather timely.

In the summer of 1959 (from June 25th – July 8th) there was a congress in Pelvout-le-Poet called ‘Congres du cerceau’.

‘Cerceau’ is French for Hula Hoop, whose new plastic version was popularized in 1958 by the Wham-O toy company and became a fad.


(Girl twirling Hula Hoop in 1958 – Wikipedia)

The next summer it was the thing to carry along for children on vacation. From the corresponding “La Tribu” (page 2):

“Le congres fut marque par la presence de nombreux enfants. Les distractions s’en ressentirent : baby-foot, biberon de l’adjudant (tres concurrence par le pastis), jeu de binette et du cerceau (ou faut-il dire ‘binette se jouant du cerceau’?) ; un bal mythique a Vallouise faillit faire passer la mesure.”
(try to G-translate it yourself…)

Here’s another example.

The spring 1949 congress (from April 13th-25th) was held at the Abbey of Royaumont and was called ‘le congres du cocotier’ (the coconut-tree congress).

From the corresponding “La Tribu 18”:

“Having absorbed a tough guinea pig, Bourbaki climbed to the top of the Royaumont coconut tree, and declared, to unanimous applause, that he would only rectify rectifiable curves, that he would treat rational mechanics over the field $\mathbb{Q}$, and, that with a little bit of vaseline and a lot of patience he would end up writing the book on algebraic topology.”

The guinea pig that congress was none other than Jean-Pierre Serre.

A year later (from April 5th-17th 1950) there was another Royaumont-congress called ‘le congres de la revanche du cocotier’ (the congress of the revenge of the coconut-tree).

From the corresponding La Tribu 22:

“The founding members had decided to take a dazzling revenge on the indiscipline young people; mobilising all the magical secrets unveiled to them by the master, they struck down the young people with various ailments; rare were those strong enough to jump over the streams of Royaumont.”

Here’s what Maurice Mashaal says about this in ‘Bourbaki – a secret society of mathematicians’ (page 113):

“Another prank among the members was called ‘le cocotier’ (the coconut tree). According to Liliane Beaulieu, this was inspired by a Polynesian custom where an old man climbs a palm tree and holds on tightly while someone shakes the trunk. If he manages to hold on, he remains accepted in the social group. Bourbaki translated this custom as the following: some members would set a mathematical trap for the others. If someone fell for it, they would yell out ‘cocotier’.”

May I be so bold as to suggest that perhaps this sudden interest in Polynesian habits was inspired by the recent release of L’ile aux cocotiers (1949), the French translation of Robert Gibbing’s book Coconut Island?

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Le Guide Bourbaki : La Ciotat (2)

Rereading the Grothendieck-Serre correspondence I found a letter from Serre to Grothendieck, dated October 22nd 1958, which forces me to retract some claims from the previous La Ciotat post.

Serre writes this ten days after the second La Ciotat-congress (La Tribu 46), held from October 5th-12th 1958:

“The Bourbaki meeting was very pleasant; we all stayed in the home of a man called Guérin (a friend of Schwartz’s – a political one, I think); Guérin himself was in Paris and we had the whole house to ourselves. We worked outside most of the time, the weather was beautiful, we went swimming almost every day; in short, it was one of the best meetings I have ever been to.”

So far so good, we did indeed find Guérin’s property ‘Maison Rustique Olivette’ as the location of Bourbaki’s La Ciotat-congresses. But, Serre was present at both meetings (the earlier one, La Tribu 35, was held from February 27th – March 6th, 1955), so wouldn’t he have mentioned that they returned to that home when both meetings took place there?

From La Tribu 35:

“The Congress was held “chez Patrice”, in La Ciotat, from February 27 to March 6, 1955. Present: Cartan, Dixmier, Koszul, Samuel, Serre, le Tableau (property, fortunately divisible, of Bourbaki).”

In the previous post I mentioned that there was indeed a Hotel-Restaurant “Chez Patrice” in La Ciotat, but mistakingly assumed both meetings took place at Guérin’s property.

Can we locate this place?

On the backside of this old photograph

we read:

“Chez Patrice”
seul au bord de la mer
Hotel Restaurant tout confort
Spécialités Provençales
Plage privée Parc auto
Ouvert toute l’année
Sur la route de La Ciota-Bandol
Tel 465
La Ciota (B.-d.-R.)

So it must be on the scenic coastal road from La Ciotat to Bandol. My best guess is that “Chez Patrice” is today the one Michelin-star Restaurant “La Table de Nans”, located at 126 Cor du Liouquet, in La Ciotat.

Their website has just this to say about the history of the place:

“Located in an exceptional setting between La Ciotat and Saint Cyr, the building of “l’auberge du Revestel” was restored in 2016.”

And a comment on a website dedicated to the nearby Restaurant Roche Belle confirms that “Chez Patrice”, “l’auberge du Revestel” and “table de Nans” were all at the same place:

“Nous sommes locaux et avons découverts ce restaurant seulement le mois dernier (suite infos copains) alors que j’ai passé une partie de mon enfance et adolescence “chez Patrice” (Revestel puis chez Nans)!!!”

I hope to have it right this time: the first Bourbaki La Ciotat-meeting in 1955 took place “Chez Patrice” whereas the second 1958-congress was held at ‘Maison Rustique Olivette’, the property of Schwartz’s friend Daniel Guérin.

Still, if you compare Serre’s letter to this paragraph from Schwartz’s autobiography, there’s something odd:

“I knew Daniel Guérin very well until his death. Anarchist, close to Trotskyism, he later joined Marceau Prevert’s PSOP. He had the kindness, after the war, to welcome in his property near La Ciotat one of the congresses of the Bourbaki group. He shared, in complete camaraderie, our life and our meals for two weeks. I even went on a moth hunt at his house and caught a death’s-head hawk-moth (Acherontia atropos).”

Schwartz was not present at the second La Ciotat-meeting, and he claims Guérin shared meals with the Bourbakis whereas Serre says he was in Paris and they had the whole house to themselves.

Moral of the story: accounts right after the event (Serre’s letter) are more trustworthy than later recollections (Schwartz’s autobiography).

Dear Collaborators of Nicolas Bourbaki, please make all Bourbaki material (Diktat, La Tribu, versions) publicly available, certainly those documents older than 50 years.

Perhaps you can start by adding the missing numbers 36 and 49 to your La Tribu: 1940-1960 list.

Thank you!

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