Tag: Grothendieck

G+ recovery 1 : Grothendieck

Published February 3, 2019 by lievenlb

My Google+ account is going away on April 2, 2019, and all attempts to automatically backup my G+ posts seem to fail so far. So i’ll try to rescue here some of them, in chronological order and around one theme. Today, Grothendieck-stuff, part one.

May 30th, 2013

Recordings of a 1972 talk by Grothendieck at Cern “Réflexions sur la science- responsabilité du savant”.
If you don’t have time to listen to all 138 minutes, try to grab from part1 the fragment 29:10 – 30:40 on “the strange ritual of inviting experts to give a talk on some esoteric subject for an audience of 50 to 100 people, one or two of whom will perhaps be able to painfully understand a few bits and pieces, and all others find themselves in a position of humiliation, as they gave in to social pressure to be there, even though the topic itself didn’t interest them at all” (poor translation on my part)
These recordings are illustrative for Grothendieck’s talks in his ‘Survivre’ period, early 70ties.
(h/t Matilde Marcolli on FB)

June 8th, 2013

Grothendieck’s christmas tree

In the pdf-version of “Recoltes et Semailles” Grothendieck writes on page 463 in the Yin-Yang chapter:

“j’ai fini par aboutir à un diagramme, vaguement en forme d’arbre de Noël”

Here’s the actual diagram, from the original typescript of “Les portes sur l’univers”, the appendix to the ‘Clef du Yin et du Yang’.

Sadly, this appendix (and the many drawings contained in it) didn’t make it into the pdf-release of RecS…

June 9th, 2013

Grothendieck’s yin-yang sunflower

Grothendieck’s ‘Les Portes sur l’Univers’ (Gateways to the Universe(?)) is a truly fascinating text, containing several mysterious drawings (and even a bit of icosahedral-math towards the end).

On PU46, he draws the sunflower of yin and yang, having 12 leafs (he claims, corresponding to 12 yin-terms on the inner circle, 12 yang-terms on the outer circle, as well as to the 12 signs of the zodiac…).

He continues: “On l’appellera, au choix, l’accordeon cosmique, ou l’harmonica cosmique, ou (pour mettre tout le monde d’accord) l’harmonium cosmique”.
(One might call it, as one prefers, the cosmic accordion, or the cosmic harmonica, or (in order to seek general consensus) the *cosmic harmony*).

June 10th, 2013

Grothendieck’s icosahedral theorem

On april 12th 1986, Grothendieck decides to add a mathematical annexe to his esoteric text ‘Les portes sur l’univers’.

“Par contre, c’est peu pour mon ardeur de mathématicien, laquelle s’est a nouveau réveillée ces jours derniers – et voila repartie ma réflexion sur l’icosaèdre, cet amour mathématique de mon âge mur! Je vais donc peut-être rajouter a ces notes quelques compléments sur la combinatoire de l’icosaèdre et sur la géométrie des ensembles a six éléments…”

He starts with a set S of 6 elements (the vertices), any pair of elements is an edge and any triple a triangle. He then calls a set of triangles F an *icosahedral structure* provided every edge is contained in exactly two triangles in F.

His main result is that all such icosahedral structures are isomorphic (and has exactly 60 isomorphisms), an icosahedral structure consist of exactly 10 triangles and a choice of triangle determines the structure uniquely. Moreover, there are exactly 12 different such octahedral structures and there is an involution on this set coming from ‘complementary’ structures.

At a first glance, Grothendieck’s result appears to be closely related to one of the surprises in finite group theory: the outer automorphism of the symmetric group on 6 letters.

For more on this and related mathematical mysteries of the octahedron, try:

+John Baez ‘Some Thoughts on the Number 6’

+Noah Snyder ‘The Outer Automorphism of S_6’

my own ‘Klein’s dessins d’enfant and the buckyball’

December 18th, 2013

for Grothendieck aficionados

a chance discovery last month en route from Les Vans – Lablachere (in the Ardeche region), a ‘ferronnerie d’art’ (a wrought-iron workshop) called ‘La Clef des Songes’.

All 315 pages of this Grothendieck meditation from 1987 can be found here.

The 691 pages of ‘Notes pour la clef des songes’ are a bit harder to get. Fortunately, the mysterious website ‘l’astree’ offers them as a series of 23 pdfs here. Enjoy the read!

January 3rd, 2014

Why did Grothendieck quit mathematics?

After yesterday’s post on the striking similarities between the lives of Grothendieck and JD Salinger it sure felt weird to stumble upon this footnote in “La Clef des Songes”

Probably I’m reading way too much into it, but it appears to indicate that Grothendieck stopped doing mathematics to become … a writer!

April 23rd, 2014

Grothendieck documentary available on DVD

+catherine aira and Yves Le Pestipon made a 90 minute long documentary “Alexander Grothendieck, sur les routes d’un genie” which had successful showings in universities, at the Novela science festival, on Toulouse television, and elsewhere. It will be shown in Nantes, Toulouse, Montpellier, and Montreal.

Yves Le Pestipon is one of the people behind the mysterious website lastree.net which has (among many other things) posts on Grothendieck containing hints to his present whereabouts…

Here are some YouTube clips:
clip1

clip2

Here’s the tumblr page of the project:

All of us who cannot attend the viewings can still order the DVD for 25 Euros (20 Euros in France) by sending an email to catherine.aira@gmail.com.

A new release of the DVD, containing English subtitles, will be available soon.

Thanks to +Adeel Khan Yusufzai +David Roberts and +catherine aira

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RH and the Ishango bone

Published December 8, 2018 by lievenlb

“She simply walked into the pond in Kensington Gardens Sunday morning and drowned herself in three feet of water.”

This is the opening sentence of The Ishango Bone, a novel by Paul Hastings Wilson. It (re)tells the story of a young mathematician at Cambridge, Amiele, who (dis)proves the Riemann Hypothesis at the age of 26, is denied the Fields medal, and commits suicide.

In his review of the novel on MathFiction, Alex Kasman casts he story in the 1970ties, based on the admission of the first female students to Trinity.

More likely, the correct time frame is in the first decade of this century. On page 121 Amiele meets Alain Connes, said to be a “past winner of the Crafoord Prize”, which Alain obtained in 2001. In fact, noncommutative geometry and its interaction with quantum physics plays a crucial role in her ‘proof’.

The Ishango artefact only appears in the Coda to the book. There are a number of theories on the nature and grouping of the scorings on the bone. In one column some people recognise the numbers 11, 13, 17 and 19 (the primes between 10 and 20).

In the book, Amiele remarks that the total number of lines scored on the bone (168) “happened to be the exact total of all the primes between 1 and 1000” and “if she multiplied 60, the total number of lines in one side column, by 168, the grand total of lines, she’d get 10080,…,not such a far guess from 9592, the actual total of primes between 1 and 100000.” (page 139-140)

The bone is believed to be more than 20000 years old, prime numbers were probably not understood until about 500 BC…

More interesting than these speculations on the nature of the Ishango bone is the description of the tools Amiele thinks to need to tackle the Riemann Hypothesis:

“These included algebraic geometry (which combines commutative algebra with the language and problems of geometry); noncommutative geometry (concerned with the geometric approach to associative algebras, in which multiplication is not commutative, that is, for which $x$ times $y$ does not always equal $y$ times $x$); quantum field theory on noncommutative spacetime, and mathematical aspects of quantum models of consciousness, to name a few.” (page 115)

The breakthrough came two years later when Amiele was giving a lecture on Grothendieck’s dessins d’enfant.

“Dessin d’enfant, or ‘child’s drawing’, which Amiele had discovered in Grothendieck’s work, is a type of graph drawing that seemed technically simple, but had a very strong impression on her, partly due to the familiar nature of the objects considered. (…) Amiele found subtle arithmetic invariants associated with these dessins, which were completely transformed, again, as soon as another stroke was added.” (page 116)

Amiele’s ‘disproof’ of RH is outlined on pages 122-124 of “The Ishango Bone” and is a mixture of recognisable concepts and ill-defined terms.

“Her final result proved that Riemann’s Hypothesis was false, a zero must fall to the east of Riemann’s critical line whenever the zeta function of point $q$ with momentum $p$ approached the aelotropic state-vector (this is a simplification, of course).” (page 123)

More details are given in a footnote:

“(…) a zero must fall to the east of Riemann’s critical line whenever:

\[
\zeta(q_p) = \frac{( | \uparrow \rangle + \Psi) + \frac{1}{2}(1+cos(\Theta))\frac{\hbar}{\pi}}{\int(\Delta_p)} \]

(…) The intrepid are invited to try the equation for themselves.” (page 124)

Wilson’s “The Ishango Bone” was published in 2012. A fair number of topics covered (the Ishango bone, dessin d’enfant, Riemann hypothesis, quantum theory) also play a prominent role in the 2015 paper/story by Michel Planat “A moonshine dialogue in mathematical physics”, but this time with additional story-line: monstrous moonshine…

Such a paper surely deserves a separate post.

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Archangel Gabriel will make you a topos

Published February 23, 2018 by lievenlb

No kidding, this is the final sentence of Le spectre d’Atacama, the second novel by Alain Connes (written with Danye Chéreau (IRL Mrs. AC) and his former Ph.D. advisor Jacques Dixmier).

The book has a promising start. Armand Lafforet (IRL AC) is summoned by his friend Rodrigo to the Chilean observatory Alma in the Altacama desert. They have observed a mysterious spectrum, and need his advice.

Armand drops everything and on the flight he lectures the lady sitting next to him on proofs by induction (breaking up chocolate bars), and recalls a recent stay at the La Trappe Abbey, where he had an encounter with (the ghost of) Alexander Grothendieck, who urged him to ‘Follow the motif!’.

“Comment était-il arrivé là? Il possédait surement quelques clés. Pourquoi pas celles des songes?” (How did he get
there? Surely he owned some keys, why not those of our dreams?)

A few pages further there’s this on the notion of topos (my attempt to translate):

“The notion of space plays a central role in mathematics. Traditionally we represent it as a set of points, together with a notion of neighborhood that we call a ‘topology’. The universe of these new spaces, ‘toposes’, unveiled by Grothendieck, is marvellous, not only for the infinite wealth of examples (it contains, apart from the ordinary topological spaces, also numerous instances of a more combinatorial nature) but because of the totally original way to perceive space: instead of appearing on the main stage from the start, it hides backstage and manifests itself as a ‘deus ex machina’, introducing a variability in the theory of sets.”

So far, so good.

We have a mystery, tidbits of mathematics, and allusions left there to put a smile on any Grothendieck-aficionado’s face.

But then, upon arrival, the story drops dead.

Rodrigo has been taken to hospital, and will remain incommunicado until well in the final quarter of the book.

As the remaining astronomers show little interest in Alain’s (sorry, Armand’s) first lecture, he decides to skip the second, and departs on a hike to the ocean. There, he takes a genuine sailing ship in true Jules Verne style to the lighthouse at he end of the world.

All this drags on for at least half a year in time, and two thirds of the book’s length. We are left in complete suspense when it comes to the mysterious Atacama spectrum.

Perhaps the three authors deliberately want to break with existing conventions of story telling?

I had a similar feeling when reading their first novel Le Theatre Quantique. Here they spend some effort to flesh out their heroine, Charlotte, in the first part of the book. But then, all of a sudden, their main character is replaced by a detective, and next by a computer.

Anyway, when Armand finally reappears at the IHES the story picks up pace.

The trio (Armand, his would-be-lover Charlotte, and Ali Ravi, Cern’s computer guru) convince CERN to sell its main computer to an American billionaire with the (fake) promise of developing a quantum computer. Incidentally, they somehow manage to do this using Charlotte’s history with that computer (for this, you have to read ‘Le Theatre Quantique’).

By their quantum-computing power (Shor and quantum-encryption pass the revue) they are able to decipher the Atacame spectrum (something to do with primes and zeroes of the zeta function), send coded messages using quantum entanglement, end up in the Oval Office and convince the president to send a message to the ‘Riemann sphere’ (another fun pun), and so on, and on.

The book ends with a twist of the classic tale of the mathematician willing to sell his soul to the devil for a (dis)proof of the Riemann hypothesis:

After spending some time in purgatory, the mathematician gets a meeting with God and asks her the question “Is the Riemann hypothesis true?”.

“Of course”, God says.

“But how can you know that all non-trivial zeroes of the zeta function have real part 1/2?”, Armand asks.

And God replies:

“Simple enough, I can see them all at once. But then, don’t forget I’m God. I can see the disappointment in your face, yes I can read in your heart that you are frustrated, that you desire an explanation…

Well, we’re going to fix this. I will call archangel Gabriel, the angel of geometry, he will make you a topos!”

If you feel like running to the nearest Kindle store to buy “Le spectre d’Atacama”, make sure to opt for a package deal. It is impossible to make heads or tails of the story without reading “Le theatre quantique” first.

But then, there are worse ways to spend an idle week than by binge reading Connes…

Edit (February 28th). A short video of Alain Connes explaining ‘Le spectre d’Atacama’ (in French)

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Grothendieck, at the theatre

Published February 12, 2018 by lievenlb

A few days ago, the theatre production “Rêves et Motifs” (Dreams and Motives) was put on stage in Argenteuil by la Compagnie Les Rémouleurs.

The stage director Anne Bitran only discovered Grothendieck’s life by reading the front pages of French newspapers, the day after Grothendieck passed away, in November 2014.

« Rêves et Motifs » is a piece inspired by Récoltes et Semailles.

Anne Bitran: ” In Récoltes et semailles we meet a scientist who has his feet on the ground and shares our curiosity about the world around us, with a strong political engagement. This is what I wanted to share with this piece.”

Some of Grothendieck’s dessins d’enfant make their appearance. Is that one Monsieur Mathieu in the center? And part of the Hexenkuche top left? (no, see Vimeo below)

And, does this looks like the sculpture ‘Grothendieck as Shepherd’ by Nina Douglas?

More information about the production can be found at the Les Remouleurs website (in French).

RÊVES ET MOTIFS from Les Rémouleurs on Vimeo.

In case you are interested, make sure to be in Lunéville, November 29th or 30th.

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Grothendieck’s gribouillis (3)

Published January 28, 2018 by lievenlb

As far as I know there are no recent developments in the story of Grothendieck’s Lasserre writings.

Since may 2017 the Mormoiron part of the notes, saved by Jean Malgoire, are scanned and made available at the Archives Grothendieck.

Some of Grothendieck’s children were present at the opening ceremony, and an interview was made with Alexandre jr. :

Rather than going into Grothendieck’s mathematics, he speaks highly of his father’s role in the ecological (Survivre et vivre) and anti-nuclear movements of the early 70ties.

The full story of Survivre et Vivre, and Grothendieck’s part in it, can be read in the thesis by Celine Pessis:

Les années 1968 et la science. Survivre … et Vivre, des mathématiciens critiques à l’origine de l’écologisme

Here’s her talk at the IHES: “L’engagement d’Alexandre Grothendieck durant la première moitié des années 1970”.

Returning to Montpellier’s Archives Grothendieck, Mateo Carmona G started a project to transcribe ‘La Longue Marche à travers la Théorie de Galois’ at GitHub.

From an email: “I am specially interested in Cote n° 149 that seems to contain Grothendieck separate notes on anabelian geometry.”

If you want to read up on the story of Grothendieck’s gribouillis, here are some older posts, in chronological order:

– Grothendieck’s gribouillis

– Grothendieck’s gribouillis (2)

– Where are Grothendieck’s writings?

– Where are Grothendieck’s writings (2)?

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Grothendieck seminar at the ENS

Published October 19, 2017 by lievenlb

Next week, the brand new séminaire « Lectures grothendieckiennes » will kick off on Tuesday October 24th at 18hr (h/t Isar Stubbe).

There will be one talk a month, on a tuesday evening from 18hr-20hr. Among the lecturers are the ‘usual suspects’:

Pierre Cartier (October 24th) will discuss the state of functional analysis before Grothendieck entered the scene in 1948 and effectively ‘killed the subject’ (said Dieudonné).

Alain Connes (November 7th) will talk on the origins of Grothendieck’s introduction of toposes.

In fact, toposes will likely be a recurrent topic of the seminar.

Laurant Lafforgue‘s title will be ‘La notion de vérité selon Grothendieck'(January 9th) and on March 6th there will be a lecture by Olivia Caramello.

Also, Colin McLarty will speak about them on May 3rd: “Nonetheless one should learn the language of topos: Grothendieck on building houses”.

The closing lecture will be delivered by Georges Maltsiniotis on June 5th 2018.

Further Grothendieck news, there’s the exhibition of a sculpture by Nina Douglas, the wife of Michael Douglas, at the Simons Center for Geometry and Physics (h/t Jason Starr).

It depicts Grothendieck as shepherd. The lambs in front of him have Riemann surfaces inserted into them and on the staff is Grothendieck’s ‘Hexenkuche’ (his proof of the Riemann-Roch theorem).

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Grothendieck’s gribouillis (2)

Published May 31, 2016 by lievenlb

We left the story of Grothendieck’s Lasserre notes early 2015, uncertain whether they would ever be made public.

Some things have happened since.

Georges Maltsiniotis gave a talk at the Gothendieck conference in Montpellier in june 2015 having as title “Grothendieck’s manuscripts in Lasserre”, raising perhaps even more questions.

Philippe Douroux, a journalist at the French newspaper “Liberation”, had a few months ago his book out “Alexandre Grothendieck, sur les traces du dernier genie des mathematiques”. In the first and final couple of chapters he gives details on Grothendieck’s years in Lasserre.

In chapter 46 “Que reste-t-il du tresor de Grothendieck?” (what is left of Grothendieck’s treasure?) he recounts what has happened to the ‘Lasserre gribouillis’ and this allows us to piece together some of the jigsaw-puzzle.

Maltsiniotis’ talk

These days you don’t have to be present at a conference to get the gist of a talk you’re interested in. That is, if at least one of the people present is as helpful as Damien Calaque was in this case. A couple of email exchanges later I was able to get this post out on Google+:

Below is the relevant part of the picture taken by Edouard Balzin, mentioned in the post.

Maltsiniotis blackboard Grothendieck conference

The first three texts are given with plenty of details and add up to say 5000 pages. The fifth text is only given the approximate timing 1993-1998, although they present the bulk of the material (30000 pages).

A few questions come to mind:

– Why didn’t Maltsiniotis give more detail on the largest part of the collection?
– There seem to be at least 15000 pages missing in this roundup (previously, the collection was estimates at about 50000 pages). Were they destroyed?
– What happened to the post-1998 writings? We know from a certain movie that Grothendieck kept on writing until the very end.

Douroux’ book

If you have read Scharlau’s biographical texts on Grothendieck’s life, the middle part of Douroux’ book “Alexandre Grothendieck, sur les traces du dernier genie des mathematiques” will not be too surprising.

However, the first 5 and final 3 chapters contain a lot of unknown information (at least to me) about his life in Lasserre. The story of ‘his last friend Michel’ is particularly relevant.

Michel is a “relieur” (book-binder) and Grothendieck used his services to have carton boxes made, giving precise specifications as to their dimensions in mms, to contain his writings.

In the summer of 2000 there’s a clash between the two, details in chapter 4 “la brouille du relieur”. As a result, all writings from 2000-2014 are not as neatly kept as those before.

Each box is given a number, from 1 to the last one: 41.

In chapter 46 we are told that Georges Maltsiniotis spend two days in Lasserre consulting the content of the first 16 boxes, written between 1992 and 1994. He gives also additional information on the content:

Carton box 1 : “Geometrie elementaire schematique” contains 1100 pages of algebra and algebraic geometry which Maltsiniotis classifies as “assez classique” but which Douroux calls ‘this is solid mathematics on which one has to work hard to understand’ and a bit later (apparently quoting Michel Demasure) ‘we will need 50 years to transform these notes into accessible mathematics’.

Carton boxes 2-4 : “Structure de la psyche” (3700 pages) also being (according to Douroux) ‘a mathematical text in good form’.

Carton boxes 5-16 : Philosophical and mystical reflexions, among which “Psyche et structure” and “Probleme du mal” (7500 pages).

That is, we have an answer to most of the questions raised by Maltsiniotis talk. He only consulted the first 16 boxes, had a quick look at the other boxes and estimated they were ‘more of the same’ and packaged them all together in approximately 30000 pages of ‘Probleme du mal’. Probably he underestimated the number of pages in the 41 boxes containing all writings upto the summer of 2000.

Remains the problem to guess the amount of post 2000 writings. Here’s a picture taken by Leila Schneps days after Grothendieck’s death in Lasserre:

Grothendieck boxes in Lasserre

You will notice the expertly Michel-made carton boxes and a quick count of the middle green and rightmost red metallic box reveals that one could easily pack these 41 carton boxes in 3 metallic cases.

So, a moderate guess on the number of post 2000 pages is : 35000.

Why? Read on.

What does this have to do with the Paris attacks?

Grothendieck boxes in Lasserre

November 13th 2015 is to the French what 9/11 is to Americans (and 22 March 2016 is to Belgians, I’m sad to add).

It is also precisely one year after Grothendieck passed away in Saint-Girons.

On that particular day, the family decided to hand the Grothendieck-collection over to the Bibliotheque Nationale. (G’s last wishes were that everything he ever wrote was to be transferred to the BNF, thereby revoking his infamous letter of 2010, within 7 months after his death, or else had to be destroyed. So, to the letter of his will everything he left should have been destroyed by now. But fortunately none of it is, because 7 months is underestimating the seriousness with which the French ‘notaires’ carry out their trade, I can testify from personal experience).

While the attacks on the Bataclan and elsewhere were going on, a Mercedes break with on board Alexandre Jr. and Jean-Bernard, a librarian specialised in ancient writings, was approaching Paris from Lasserre. On board: 5 metallic cases, 2 red ones, 1 green and 2 blues (so Leila’s picture missed 1 red).

At about 2 into the night they arrived at the ‘commissariat du Police’ of the 6th arrondissement, and delivered the cases. It is said that the cases weighted around 400 kg (that is 80kg/case). As in all things Grothendieck concerned, this seems a bit over-estimated.

Anyway, that’s the last place we know to hold Grothendieck’s Lasserre gribouillis.

There’s this worrying line in Douroux’ book : ‘Who will get hold of them? The BNF? An american university? A math-obsessed billionaire?’

Let’s just hope for the best. That the initial plan to open up the gribouillis to the mathematical community at large will become a reality.

If I counted correctly, there are at least two of these metallic cases full of un-read post 2000 writings. To be continued…

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Children have always loved colimits

Published January 7, 2015 by lievenlb

If Chad Orzel is able to teach quantum theory to his dog, surely it must be possible to explain schemes, stacks, toposes and motives to hipsters?

Perhaps an idea for a series of posts?

It’s early days yet. So far, I’ve only added the tag sga4hipsters (pun intended) and googled around for ‘real-life’ applications of sheaves, cohomology, and worse.

Sooner or later one ends up at David Spivak’s MIT-webpage.

David has written a book “category theory for scientists” and has several papers on applications of category theory to databases.

There’s also this hilarious abstract, reproduced below, of a talk he gave in 2007 at many cheerful facts.

If this guy ever decides to write a novel, I’ll pre-order it on the spot.

Presheaf, the cobbler.
by David Spivak

Children have always loved colimits.

Whether it be sorting their blocks according to color, gluing a pair of googly eyes and a pipe-cleaner onto a piece of yellow construction paper, or simply eating a peanut butter sandwich, colimits play a huge role in their lives.

But what happens when their category doesn’t have enough colimits?

In today’s ”ownership” society, what usually happens is that the parents upgrade their child’s category to a Presheaf category. Then the child can cobble together crazy constructions to his heart’s content.

Sometimes, a kid comes up to you with an FM radio she built out of tinkertoys, and says
”look what I made! I call it ’182 transisters, 11 diodes, 6 plastic walls, 3 knobs,…’”

They seem to go on about the damn thing forever.

Luckily, Grothendieck put a stop to this madness.

He used to say to them, ever so gently, ”I’m sorry, kid. I’m really proud of you for making this ’182 transistors’ thing, but I’m afraid it already has a name. It’s called a radio.

And thus Grothendieck apologies were born.

Two years later, Grothendieck topologies were born of the same concept.

In this talk, I will teach you to build a radio (that really works!) using only a category of presheaves, and then I will tell you about the patent-police, known as Grothendieck topologies.

God willing, I will get through SGA 4 and Lurie’s book on Higher Topos Theory.”

Further reading:

David Spivak’s book (old version, but freely available) Category theory for scientists.

The published version, available from Amazon.

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Can one explain schemes to hipsters?

Published January 5, 2015 by lievenlb

Nature (the journal) asked David Mumford and John Tate (of Fields and Abel fame) to write an obituary for Alexander Grothendieck.

Probably, it was their first experience ever to get a paper… rejected!

What was their plan?

How did they carry it out?

What went wrong?

And, can we learn from this?

the plan

Mumford and Tate set themselves an ambitious goal. Although Nature would have been happiest with a purely biographical note, they seized the opportunity to explain three ‘simple’ things to a wider audience: (1) schemes, (2) category theory, and, (3) cohomology…

“Since the readership of Nature were more or less entirely made up of non-mathematicians, it seemed as though our challenge was to try to make some key parts of Grothendieck’s work accessible to such an audience. Obviously the very definition of a scheme is central to nearly all his work, and we also wanted to say something genuine about categories and cohomology.”

1. Schemes

Here, the basic stumbling block, as Mumford acknowledged afterwards, is of course that most people don’t know what a commutative ring is. If you’ve never encountered a scheme before in broad daylight, I’m not certain this paragraph tells you how to recognise one:

“… In simplest terms, he proposed attaching to any commutative ring (any set of things for which addition, subtraction and a commutative multiplication are defined, like the set of integers, or the set of polynomials in variables x,y,z with complex number coefficients) a geometric object, called the Spec of the ring (short for spectrum) or an affine scheme, and patching or gluing together these objects to form the scheme. …”

2. Categories

Here they do a pretty good job, I think. They want to explain Grothendieck’s ‘functor of points’ and the analogy they used with several measuring experiments is neat:

“… Grothendieck used the web of associated maps — called morphisms — from a variable scheme to a fixed one to describe schemes as functors and noted that many functors that were not obviously schemes at all arose in algebraic geometry.

This is similar in science to having many experiments measuring some object from which the unknown real thing is pieced together or even finding something unexpected from its influence on known things….”

3. Cohomology

Here, Mumford “hoped that the inclusion of the unit 3-sphere in $\mathbb{C}^2- \{ (0,0) \}$ would be fairly clear to most scientists and so could be used to explain the Mike Artin’s breakthrough that $H^3_{et}(\mathbb{A}^2 – \{ (0,0) \}) \not= 0$.”

I’d love to know the fractional odds an experienced bookmaker would set in case someone (not me!) wants to bet on them successfully getting this message across.

“… Using complex coordinates (z,w), a plane has four real dimensions and taking out a point, what’s left is topologically a three dimensional sphere. Following the inspired suggestions of Grothendieck, Artin was able to show how with algebra alone that a suitably defined third cohomology group of this space has one generator, that is the sphere lives algebraically too. Together they developed what is called étale cohomology at a famous IHES seminar. …”

the aftermath

The good news is that Nature will still publish the Tate-Mumford obit, is some form or another, next week, on januari 15th. According to Mumford they managed to sneak in three examples of commutative rings in passing: polynomials, dual numbers and finite fields.

what went wrong?

The usual?

We mathematicians are obsessed with getting definitions right. We truly believe that no-one can begin to understand the implications of an idea if we don’t teach them the nitty gritty details of our treasured definitions first.

It appears that we are alone on this.

Did physicists smack us in the face with the full standard-model Lagrangian, demanding us to digest the minute details of it first, before they could tell us they had discovered the Higgs boson?

No, most scientists know how to get a message across. You need 3 things:

– a catchy name (the ‘God Particle’)

– good graphics (machines at CERN, collision pictures)

– a killer analogy (the most popular, in relation to the Higgs particle, seems to be “like Maggie Tatcher walking into a room”…)

can we learn from this?

Of course we can.

And frankly, I’m somewhat surprised Mumford missed this chance.

After all, he dreamed up the graphics and the killer analogy…

Further reading

– Mumford’s original rant : Can one explain schemes to biologists?

– John Baez’ follow-up post : Can one explain schemes to biologists?

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Grothendieck’s gribouillis

Published January 3, 2015 by lievenlb

A math-story well worth following in 2015.

What will happen to Grothendieck’s unpublished notes, or as he preferred, his “gribouillis” (scribbles)?

Here’s the little I know about this:

1. The Mormoiron scribbles

During the 80ties Grothendieck lived in ‘Les Aumettes’ in Mormoiron

In 1991, just before he moved to the Pyrenees he burned almost all of his personal notes in the garden. He phoned Jean Malgoire:

“Si tu ne viens pas chercher mon bordel mathématique, il va brûler avec le reste.”

Malgoire sped to Mormoiron and rescued 5 boxes containing about 20.000 pages. The next 20 years he kept them in his office, not exactly knowing what to do with them.

On january 3rd 2010, Grothendieck wrote his (in)famous letter forbidding others to share or publish any of his writings. (Picture via the SecretBloggingSeminar)

Malgoire feared that Grothendieck would soon ask him to destroy the Mormoiron-gribouillis and decided to donate them to the University of Montpellier.

They are kept somewhere in their archives, the exact location known only to Jean Malgoire, Luc Gomel (who is in charge of the patrimonium of the University of Montpellier) and the person who put the boxes away.

After Grothendieck’s death on november 13th, FranceTV3 did broadcast a short news-item.

If Grothendieck’s children agree, the University of Montpellier intends to make an inventory of the 5 boxes and will make them available, at least to researchers.

2. The Lasserre scribbles

The final 23 years of his life, Grothendieck lived in the small village of Lasserre in the French Pyrenees.

Here he could be glimpsed blurrily through the window as he wrote for hours during the night.(Picture via the GrohendieckCircle)

Leila Schneps and her husband Pierre Lochak did visit the house and met with Grothendieck’s family the week after his death.

Before she went, she was optimistic about the outcome as she emailed:

“I have already started modifying the Grothendieck circle website and it will of course eventually return completely. Plus many things will be added, as we will now have access to Grothendieck’s correspondence and many other papers.”

Her latest comment, from december 16th, left on the Grothendieck-circle bulletin board, is more pessimistic:

“Il a ecrit a Lasserre sans cesse pendant plus de 20 ans. Je n’ai pu que jeter un rapide coup d’oeil sur tout ce qu’il a laisse. Il y a de tout: des maths, des reflexions sur lui-meme, et des reflexions sur la nature humaine et sur l’univers. Rien n’est disponible pour le moment. Ces manuscrits finiront dans une bibliotheque et seront peut-etre un jour consultables.”

The good news is that there appears to be some mathematics among the Lassere-gribouillis. The sad news being that none of this is available at the moment, and perhaps never will.

So, what happened? Here’s my best guess:

Grothendieck’s children were pretty upset a private letter from one of them turned up in the French press, a couple of years ago.

Perhaps, they first want to make sure family related material is recovered, before they’ll consider donating the rest (hopefully to the University of Montpellier to be reunited with Grothendieck’s Mormoiron-notes).

This may take some time.

Further reading (in French):

Grothendieck, mon tresor (nationale)

Un génie mystérieux, un secret bien gardé

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