Fun with F_un
- Looking for F_un
- The F_un folklore
- Absolute linear algebra
- F_un and braid groups
Recall that an n-braid consists of n strictly descending elastic strings connecting n inputs at the top (named 1,2,…,n) to n outputs at the bottom (labeled 1,2,…,n) upto isotopy (meaning that we may pull and rearrange the strings in any way possible within 3-dimensional space). We can always change the braid slightly such that we can divide the interval between in- and output in a number of subintervals such that in each of those there is at most one crossing.
n-braids can be multiplied by putting them on top of each other and connecting the outputs of the first braid trivially to the inputs of the second. For example the 5-braid on the left can be written as
with
the braid on the top 3 subintervals and
the braid on the lower 5 subintervals.
In this way (and using our claim that there can be at most 1 crossing in each subinterval) we can write any n-braid as a word in the generators
(with
) being the overcrossing between inputs i and i+1. Observe that the undercrossing is then the inverse
. For example, the braid on the left corresponds to the word

Clearly there are relations among words in the generators. The easiest one we have already used implicitly namely that
is the trivial braid.
Emil Artin proved in the 1930-ies that all such relations are consequences of two sets of ‘obvious’ relations. The first being commutation relations between crossings when the strings are far enough from each other. That is we have
whenever 
=
The second basic set of relations involves crossings using a common string

=
Starting with the 5-braid at the top, we can use these relations to reduce it to a simpler form. At each step we have outlined to region where the relations are applied
=
=
=
These beautiful braid-pictures were produced using the braid-metapost program written by Stijn Symens.
Tracing a string from an input to an output assigns to an n-braid a permutation on n letters. In the above example, the permutation is
. As this permutation doesn’t change under applying basic reduction, this gives a group-morphism

from the braid group on n strings
to the symmetric group. We have seen
before that the symmetric group
has a F-un interpretation as the linear group
over the field with one element. Hence, we can ask whether there is also a F-un interpretation of the n-string braid group and of the above group-morphism.
Kapranov and Smirnov suggest in
their paper that the n-string braid group
is the general linear group over the polynomial ring
over the field with one element and that the evaluation morphism (setting t=0)
gives the groupmorphism 
The rationale behind this analogy is a theorem of
Drinfeld’s saying that over a finite field
, the
profinite completion of
is embedded in the fundamental group of the space of q-polynomials of degree n in much the same way as the n-string braid group
is the fundamental group of the space of complex polynomials of degree n without multiple roots.
And, now that we know the basics of absolute linear algebra, we can give an absolute braid-group representation
![\mathbb{B}_n = GL_n(\mathbb{F}_1[t]) \rightarrow GL_n(\mathbb{F}_{1^n}) \mathbb{B}_n = GL_n(\mathbb{F}_1[t]) \rightarrow GL_n(\mathbb{F}_{1^n})](/latexrender/pictures/c9579ae63fe20dd91138d4f2ccf6c22f.gif)
obtained by sending each generator
to the matrix over
(remember that
where
are the n-th roots of unity)

and it is easy to see that these matrices do indeed satisfy Artin’s defining relations for
.
and that a d-dimensional vectorspace over this field is a pointed set
where
is a free
-set consisting of n.d elements. Note that in absolute linear algebra we are not allowed to have addition of vectors and have to define everything in terms of scalar multiplication (or if you want, the
, that is, correspond to the disjoint union of free
.
the vectorspace cooresponding to the Cartesian product of free
are respectively d and e, then
consists of n.d.n.e elements, so is of dimension n.d.e. In order to have a sensible notion of tensor-products we have to eliminate the n-factor. We do this by identifying
with
and call the corresponding vectorspace
. If we denote the image of
then the identification merely says we can pull the
.
of an
(representants of the different
for some powers of the primitive n-th root of unity
and some permutation
. We define the determinant
. One verifies that the determinant is multiplicative and independent of the choice of basis.
-dimensional
. That is, the det-functor remembers the dimension modulo n. These mod-n features are a recurrent theme in absolute linear algebra. Another example, which will become relevant when we come to reciprocity laws :
. Then, a
vectorspace
is represented by a
matrix having one nonzero entry in every row and column being equal to +1 or -1. Hence, the determinant
.
on the 2d non-zero elements of
the determinant gives the sign of the permutation!
For a prime power
with
,
and hence that
we have the power residue symbol
is a linear automorphism on the
. The F-un interpretation of a classical lemma by
consisting of full
to correspond to the free
obtained by identifying all elements of W with the zero-element in
between
such that the invers image of 0 consists of full
and for every element
we have that the number of pre-images
is congruent to 1 modulo n. Observe that under an equivalence
.![\xymatrix{0 \ar[r] & V_1^{\bullet} \ar[r]^{\alpha} & V^{\bullet} \ar[r]^{\beta} & V_2^{\bullet} \ar[r] & 0} \xymatrix{0 \ar[r] & V_1^{\bullet} \ar[r]^{\alpha} & V^{\bullet} \ar[r]^{\beta} & V_2^{\bullet} \ar[r] & 0}](/latexrender/pictures/1c6cc83fab80ae19ecb147f23c2668b9.gif)
a set-theoretic inclusion, the composition
to be the zero-map and with the additional assumption that the map induced by 

.
to turn usual
is determined by the conjugacy class of a cofinite subgroup
, or equivalently, to a dessin d’enfant. We have introduced a quiver (aka an oriented graph) which comes from a triangulation of the compactification of
where
is the hyperbolic upper half-plane. This quiver is independent of the chosen embedding of the dessin in the Dedeking tessellation. (For more on these terms and constructions, please consult the series
defines a noncommutative algebra, the path algebra
, which has as a
-basis all oriented paths in the quiver and multiplication is induced by concatenation of paths (when possible, or zero otherwise). Usually, it is quite hard to make actual computations in noncommutative algebras, but in the case of path algebras you can just see what happens.
of the quiver one places a finite dimensional vectorspace
and any arrow in the quiver
determines a linear map between these vertex spaces, that is, to
. These matrices determine how the paths of length one act on the representation, longer paths act via multiplcation of matrices along the oriented path.![\xymatrix{\vtx{} \ar[rr]^a & & \vtx{} \ar[ld]^b \\ & \vtx{} \ar[lu]^c &} \xymatrix{\vtx{} \ar[rr]^a & & \vtx{} \ar[ld]^b \\ & \vtx{} \ar[lu]^c &}](/latexrender/pictures/35440701b59e55eed3f49ecc53aa8325.gif)
or
or
. How does a necklace act on a representation? Well, the matrix-multiplication of the matrices corresponding to the arrows gives a square matrix in each of the vertices in the cycle. Though the dimensions of this matrix may vary from vertex to vertex, what does not change (and hence is a property of the necklace rather than of the particular choice of cycle) is the trace of this matrix. That is, necklaces give complex-valued functions on representations of
be a super-potential (again, a linear combination of necklaces) then our commutative intuition tells us that extrema correspond to zeroes of all partial differentials
where
(2 cyclic turns), then for example
, the second to the second). Okay, but then the vacua-representations will be the representations of the quotient-algebra (which I like to call the vacualgebra)
and if we choose an orientation it turns out that all ‘black’ triangles (with respect to the Dedekind tessellation) have their arrow-sides defining a necklace, whereas for the ‘white’ triangles the reverse orientation makes the arrow-sides into a necklace. Hence, it makes sense to look at the cubic superpotential
![\xymatrix{& & \rho \ar[lld]_d \ar[ld]^f \ar[rd]^e & \\
i \ar[rrd]_a & i+1 \ar[rd]^b & & \omega \ar[ld]^c \\
& & 0 \ar[uu]^h \ar@/^/[uu]^g \ar@/_/[uu]_i &} \xymatrix{& & \rho \ar[lld]_d \ar[ld]^f \ar[rd]^e & \\
i \ar[rrd]_a & i+1 \ar[rd]^b & & \omega \ar[ld]^c \\
& & 0 \ar[uu]^h \ar@/^/[uu]^g \ar@/_/[uu]_i &}](/latexrender/pictures/aab36d16da83218af03225c806a3d999.gif)

associated to this index 3 subgroup. Contrary to what I believed at the start of this series, the algebras one obtains in this way from dessins d’enfants are far from being Calabi-Yau (in whatever definition). For example, using a GAP-program written by
, so in this case
…
We have
a quiver (that is, an oriented graph). For example, one verifies that the fundamental domain of the subgroup
(an index 3 subgroup) is depicted on the right by the region between the thick lines with the identification of edges as indicated. The associated quiver is then![\xymatrix{i \ar[rr]^a \ar[dd]^b & & 1 \ar@/^/[ld]^h \ar@/_/[ld]_i \\
& \rho \ar@/^/[lu]^d \ar@/_/[lu]_e \ar[rd]^f & \\
0 \ar[ru]^g & & i+1 \ar[uu]^c} \xymatrix{i \ar[rr]^a \ar[dd]^b & & 1 \ar@/^/[ld]^h \ar@/_/[ld]_i \\
& \rho \ar@/^/[lu]^d \ar@/_/[lu]_e \ar[rd]^f & \\
0 \ar[ru]^g & & i+1 \ar[uu]^c}](/latexrender/pictures/ad479ae010a6c65ee9f54ad24d81bd77.gif)
![\xymatrix{| \ar@{-}[r] & \bullet \ar@{-}@/^8ex/[r] \ar@{-}@/_8ex/[r] & -} \xymatrix{| \ar@{-}[r] & \bullet \ar@{-}@/^8ex/[r] \ar@{-}@/_8ex/[r] & -}](/latexrender/pictures/eb0cd35215ed8b87c510b3f372a262c1.gif)
whereas the blue dot (an odd point in the tessellation) is depicted by a
. There is another ‘quiver-like’ picture associated to this dessin, a quilt of the modular subgroup
On the left, a quilt-diagram copied from Hsu’s book
(rather than its quotient, the modular group
where
is the cyclic center of
-stabilizer subgroup of all elements in a transitive permutation representation of
where M is called the modulus of the representation. The arrow-data of a quilt, that is the direction of certain edges and their labeling with numbers from
(which have to satisfy some requirements, the flow rules, but more about that another time) encode the Z-action on the permutation representation. The dimension of the representation is
where
is the number of half-edges in the dessin. In the above example, the modulus is 5 and the dessin has 3 (half)edges, so it depicts a 15-dimensional permutation representation of 
we get our quiver back from the modular quilt
Via the